Anne Douglas Sedgwick

Anne Douglas Sedgwick

Summary

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick Staking a Larkspur (1916)

You must have something to rise from if you are to float serenely above people's heads; otherwise you merely stand on tip-toe, very uncomfortably. Mollie and Vera might have been two silken balloons, passing and repassing suavely in the dulcet summer air. And on the last day Vera's sense of dramatic fitness prompted her, evidently, to the most imperturbable volte-face: she showed to Mollie a marked tenderness. To Captain Thornton she was kind, perfectly kind, but that she found him rather dull was evident. It might have been Mollie with whom she had spent all those hours in the dream-garden.
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick Staking a Larkspur (1916)

Sir Francis and Mrs. Travers-Cray with sons at the front and Lady Dighton's husband in the Dardanelles,—apart from that ever-present strain, everybody to-day was a little jaded, blank, and tired of one another. There reigned, as a symptom, that silence that in the moments before dinner falls sometimes upon people who know each other too well for surmise or ceremony. They stood about looking at the evening newspapers; they picked up a book; they sat side by side, knitting without speaking. Vera, sunken in a deep chair near my sofa, yawned wearily.
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick Staking a Larkspur (1916)

One would expect, after that transcendent suffering, to find as transcending a joy; but how was joy possible to a young wife caught into what might be to her husband a fairy-land or a paradise, but to her a cruel and complicated machine where her only part was to turn round with the other wheels and pretend to like it?
Source: Wikisource

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