Anne Thackeray Ritchie

Anne Thackeray Ritchie

Summary

Portrait of Anne Thackeray Ritchie Anne Thackeray Ritchie Old Kensington

Dolly might have been happy in time, even married to Robert, but for Rhoda what chance was there? Would her French kid gloves put out their primrose fingers to help her in her lonely hours? would her smart bonnets crown her home with peace and the content of a loving spirit? She lived long enough to find out something of the truth, and to come to Dolly one day to help her in her sorest need. This was long after, when Dolly had long been living at Ravensrick, when her children were playing round about her, and the sunshine of her later life had warmed and brightened the sadness of her youth.
Source: Gutenberg

Portrait of Anne Thackeray Ritchie Anne Thackeray Ritchie Old Kensington

Dolly suddenly remembered Rhoda's odd knowledge of George's doings, her blushes, his constant comings of late: she remembered everything, even to the gloves lying by the piano. The girl was bitterly hurt, wounded, impatient. Love had never entered into her calculations, except as a joke or a far-away impossibility. It was no such very terrible secret after all that a young man and a young woman should have taken a fancy to each other; but Dolly, whose faults were the faults of inexperience and youthful dominion and confidence, blamed passionately as she would have sympathised.
Source: Gutenberg

Portrait of Anne Thackeray Ritchie Anne Thackeray Ritchie Old Kensington

True love! Is this true love, when one person is in love with a phantom, another with an image reflected in a glass? True love is something more than phantoms, than images and shadows; and yet stirred by phantoms and living among shadows, its faint dreams come to life.
Lady Sarah was standing by the bookcase, in a sort of zigzag mind of her own old times and of Dolly's to-day. She had taken a book from the shelf—a dusty volume of Burns's poems—upon the fly-leaf of which the name of another Robert Henley was written.
Source: Gutenberg

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