Arthur B. Reeve,
The Treasure-Train — IX. The Rubber Dagger
(1917)
“ Quickly Errol turned. If he had been a motion-picture actor, he could not have portrayed better the similitude of hate that was written on his face. A few strides and he had advanced toward our little audience, now keyed up to the highest pitch of excitement by the extraordinary exhibition."Of course," remarked Karatoff, as at a word Errol paused, still poising the dagger, "you know that under hypnotism in the psychological laboratory a patient has often struck at his 'enemy' with a rubber dagger, going through all the motions of real passion. Now!" ”
