Arthur Clark Kennedy

Summary

Arthur Clark Kennedy,  Pictures in Rhyme (1891)

“ The white-walled cottage with moss-grown thatch,
⁠The thin spire peering above the hill,
Under the coppice a clover-patch,
A swinging gate, and a sun-kiss'd maid;
And I heard once more what those sweet lips said;
⁠And those sweet lips said: 'I will.'
Her hair fell rippling over her neck,
⁠Her face a-blush like a budding rose,
So soft, so pure, with never a speck.
Ah! who would have thought of the scatter'd leaves,
And the aphis at heart! How the face deceives,
⁠Though blind Love thinks he knows!
”
Source: Wikisource

Arthur Clark Kennedy,  Pictures in Rhyme (1891)

“ O mother, my mother, now cease to upbraid me,
Though womanly tears for an instant should flow!
Forget and forgive if my weakness betray'd me—
My chill heart is failing like sun-melted snow.
All hopeless my future; how can I sustain it,
For ever, Granada, an exile from thee?
If weeping comes o'er me, why should I restrain it?
A king's tears fall not for the lands of the free.
As wending my weary way over the mountains,
I turn me to take a last look at thy towers;
Farewell to thee ever, thou City of Fountains,
The flag of the Christian waves over my bowers!
”
Source: Wikisource

Arthur Clark Kennedy,  Pictures in Rhyme (1891)

“ Rising and falling—to rise at the last in a tone of triumph strong:
It spoke of life, it spoke of death, of love, and of love's home,
And the soul of the singer thrill'd the crowd, and soar'd through the gilded dome.
Now the voice is dumb, and its echoes lost on the waves of infinite space,
While long, lithe grasses shake in the wind o'er the singer's sleeping-place.
The art of the singer is dead and done,
And the singer herself has gone
”
Source: Wikisource

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