Kathleen Schlesinger

Summary

Kathleen Schlesinger 1911 Encyclopædia Britannica, Volume 6… (1911)

Gerbert gives illustrations of the fanciful chorus from the Dardanus letter and of two other instruments of later date; one of these represents a musician playing the Platerspiel, the other the bagpipe known as chevrette, in which the whole skin of the animal (a kid or pig) , with head and feet, has been used for the bag. Edward Buhle, [3] in his admirable work on the musical instruments in the illuminated MSS. of the middle ages, points out that Gerbert, [4] who gives the dates of his two MSS. as “6th and 9th centuries,” has a singular method of reckoning the date of a MS.
Source: Wikisource

Kathleen Schlesinger 1911 Encyclopædia Britannica, Volume 6… (1911)

The chorus as a factor in drama survived only in the various imitations or revivals of the ancient Greek theatre in other languages. A chorus is found in Milton’s Samson Agonistes. The Elizabethan dramatists applied the name to a single character employed for the recitation of prologues or epilogues. Apart from the uses of the term in drama, the word “chorus” has been employed chiefly in music.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature