Summary

Margaret McMillan Labour and Childhood — The Projection of Sense-Organs (1907)

THE PROJECTION OF SENSE-ORGANS
THE EAR
THIS is an age of prodigies. One child after another appears in the concert room, and amazes the public by his or her powers as a violinist or pianist, and at public exhibitions of child drawings the man in the street hears with wonder that a little child is the artist who drew this or that picture. Yet the child prodigy is not a new thing. He has dazzled people for centuries. He is always an artist, a player, and, in rare cases, a composer. Sometimes he is a philosopher. [1] But he is never an instrument-maker—an artisan.
Source: Wikisource

Margaret McMillan Labour and Childhood — The Projection of Sense-Organs (1907)

No one can look at it without being reminded of the keyboard of a piano. It is microscopic. No eye had seen it. No one had imagined it. Yet it was flung forth like spray from the wave—in work.
Sometimes, perhaps, the secret is flung forth, but remains a secret. In the violin, for example, there is something that is never recognized, never explained. It is, above all, the old violins, the great old violins, which hold this secret, which is also a spell. Something in the heart of the violinist answers to it, and he loves it as he might love a beautiful mistress without understanding it.
Source: Wikisource

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