Arthur Conan Doyle

Arthur Conan Doyle

Summary

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — Giant Maximin (1911)

If he had his time again, he would think less of them and more of his people, he would try to win love instead of fear, he would live for peace and not for war. If he had his time again! But there were shuffling Steps, furtive whispers, and the low rattle of arms outside his tent. A bearded face looked in at him, a swarthy African face that he knew well. He laughed, and, bearing his arm, he took his sword from the table beside him.
"It is you, Sulpicius," said he. "You have not come to cry 'Ave Imperator Maximin!' as once by the camp fire.
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — Giant Maximin (1911)

In the centre is the impress of a great craggy head, a massive jaw, a rude fighting face, a contracted forehead. For all the pompous roll of titles it is a peasant's face, and I see him not as the Emperor of Rome, but as the great Thracian boor who strode down the hillside on that far-distant summer day when first the eagles beckoned him to Rome.
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — Giant Maximin (1911)

Smallness has risen aloft, has flourished for a time, and then has sunk once more. Rich monarchs have become poor monks, brave conquerors have lost their manhood, eunuchs and women have overthrown armies and kingdoms. Surely there is no situation which the mind of man can invent which has not taken shape and been played out upon the world stage. But of all the strange careers and of all the wondrous happenings, stranger than Charles in his monastery, or Justin on his throne, there stands the case of Giant Maximin, what he attained, and how he attained it.
Source: Wikisource

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