Summary

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — The Coming of the Huns (1911)

Every morning, when Simon opened his eyes, he saw the same grey line ripening into red in the furthest east, until the bright rim pushed itself above that far-off horizon across which no living creature had ever been known to come. Slowly the sun swept across the huge arch of the heavens, and as the shadows shifted from the black rocks which jutted upward from above his cell, so did the hermit regulate his terms of prayer and meditation. There was nothing on earth to draw his eye, or to distract his mind, for the grassy plain below was as void from month to month as the heaven above.
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — The Coming of the Huns (1911)

Simon Melas stood long in bewilderment, wondering who this stranger could be. He had heard, as had every Christian, of those evil spirits which were wont to haunt the hermits in the Thebaid and on the skirts of the Ethiopian waste. The strange shape of this solitary creature, its dark outline and prowling, intent attitude, suggestive rather of a fierce, rapacious beast than of a man, all helped him to believe that he had at last encountered one of those wanderers from the pit, of whose existence, in those days of robust faith, he had no more doubt than of his own.
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — The Coming of the Huns (1911)

It was in the late spring of the year 375 that Simon came out from his cell, his gourd in his hand, to draw water from the spring. Darkness had closed in, the sun had set, but one last glimmer of rosy light rested upon a rocky peak, which jutted forth from the hill, on the further side from the hermit's dwelling. As Simon came forth from under his ledge, the gourd dropped from his hand, and he stood gazing in amazement.
On the opposite peak a man was standing, his outline black in the fading light.
Source: Wikisource

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