Arthur Machen

Arthur Machen

Summary

Portrait of Arthur Machen Arthur Machen The House of Souls (1906)

Villiers, who was with me at the last, knows nothing of that awful secret of the wood, of how what we both saw die, lay upon the smooth, sweet turf amidst the summer flowers, half in sun and half in shadow, and holding the girl Rachel's hand, called and summoned those companions, and shaped in solid form, upon the earth we tread on, the horror which we can but hint at, which we can only name under a figure. I would not tell Villiers of this, nor of that resemblance, which struck me as with a blow upon my heart, when I saw the portrait, which filled the cup of terror at the end.
Source: Wikisource

Portrait of Arthur Machen Arthur Machen The House of Souls

You, Villiers, you may think you know life, and London, and what goes on day and night in this dreadful city; for all I can say you may have heard the talk of the vilest, but I tell you you can have no conception of what I know, not in your most fantastic, hideous dreams can you have imaged forth the faintest shadow of what I have heard—and seen. Yes, seen. I have seen the incredible, such horrors that even I myself sometimes stop in the middle of the street, and ask whether it is possible for a man to behold such things and live.
Source: Gutenberg

Portrait of Arthur Machen Arthur Machen The House of Souls (1906)

Dyson looked and saw the coin was stamped with the figure of a faun standing amidst reeds and flowing water. The features, minute as they were, stood out in delicate outline; it was a face lovely and yet terrible, and Dyson thought of the well-known passage of the lad's playmate, gradually growing with his growth and increasing with his stature, till the air was filled with the rank fume of the goat.
'Yes,' he said; 'it is a curious coin. Do you know it?'
'I know about it. It is one of the comparatively few historical objects in existence; it is all storied like those jewels we have read of.
Source: Wikisource

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