Summary

Portrait of Arthur Stringer Arthur Stringer The Man Who Couldn't Sleep — X. The Thumb-Tap Clue (1919)

Nothing can come of it, until Lockwood gets tired of waiting for me to prove what I can't prove!"
"But, out of all the affair as it happened, out of that whole day when the letter came, isn't there one shred or tatter of memory on which you can try to hang something? Isn't there one thing, no matter how small or how misty, from which you can begin?"
"Not one rational thing! I've tried to build a bridge out into that empty space—that day always seems like empty space to me—I've tried to build it out like a cantilever, but I can't bolt two ideas together.
Source: Wikisource

Portrait of Arthur Stringer Arthur Stringer The Man Who Couldn't Sleep — X. The Thumb-Tap Clue (1919)

I sat down in the carved swivel chair beside this desk, drew my chair closer to the rosewood, and looked up at Criswell, who, I believe, would have turned and bolted, had he been given the chance. He was, I fancy, even beginning to have suspicions as to my sanity. But in that I saw no objection. It was, I felt, rather an advantage. It would serve to key his nerves up to a still higher pitch—for I still hoped against hope that I might lash him into some form of mental calenture which would drive him into taking the high jump, which would in some way make him clear the blind wall.
Source: Wikisource

Portrait of Arthur Stringer Arthur Stringer The Man Who Couldn't Sleep — X. The Thumb-Tap Clue (1919)

I sat staring at her as she stood in the center of the room, a tower of ivory and gold against the dull and mottled colors of the book-lined wall. I waited for her to speak. Then out of the mottled colors that confronted my eye, out of the faded yellows and rusty browns, the dull greens and brighter reds, and the gilt of countless titles, my gaze rested on a near-by oblong of blue.
I looked at it without quite seeing it. Then it came capriciously home to me that blue had been the color that Criswell had mentioned.
Source: Wikisource

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