Willa Sibert Cather

Willa Sibert Cather

Ardessa (1918)

Summary

Portrait of Willa Sibert Cather Willa Sibert Cather Ardessa (1918)

He knew what the West wanted, and it proved to be what everybody secretly wanted. In six years he had done the thing that had hitherto seemed impossible: built up a national weekly, out on the news-stands the same day in New York and San Francisco; a magazine the people howled for, a moving-picture film of their real tastes and interests.
O'Mally bought "The Outcry" to make a stir, not to make a career, but he had got built into the thing more than he ever intended. It had made him a public man and put him into politics.
Source: Wikisource

Portrait of Willa Sibert Cather Willa Sibert Cather Ardessa (1918)

While Miss Devine examined the pages in the basket, Becky stood with her shoulders drawn up and her elbows drawn in, apparently trying to hide herself in her insufficient open-work waist. Her wild, black eyes followed Miss Devine's hands desperately. Ardessa sighed.
"This seems to be very smeary copy again, Becky. You don't keep your mind on your work, and so you have to erase continually."
Source: Wikisource

Portrait of Willa Sibert Cather Willa Sibert Cather Ardessa (1918)

She believed herself indispensable, but she knew that in such a mischanceful world as this the very powers of darkness might rise to separate her from this pearl among jobs.
When Becky came in from lunch she went down the long hall to the wash-room, where all the little girls who worked in the advertising and circulation departments kept their hats and jackets. There were shelves and shelves of bright spring hats, piled on top of one another, all as stiff as sheet-iron and trimmed with gay flowers.
Source: Wikisource

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