Summary

Portrait of Elizabeth Garver Jordan Elizabeth Garver Jordan Tales of the City Room — Ruth Herrick's Assignment (1898)

Ruth Herrick was usually a cool, unemotional young person, but she was profoundly moved now. Many thoughts crowded into her mind. She recalled what she had read of Helen Brandow's past life,—the good she had done as a girl at school, her adoration of her mother, the hundreds of noble men and women who were her friends, and whose faith in her innocence was so steadfast.
Source: Wikisource

Portrait of Elizabeth Garver Jordan Elizabeth Garver Jordan Tales of the City Room — Ruth Herrick's Assignment (1898)

I used to tear myself up by the roots to watch my own growth, but the process was not pleasant. I am now trying to confine my attention to the things outside of me. It is less interesting; occasionally it wearies me. And I always abuse people and institutions when I am weary."
If there was a personal application in this, Miss Herrick passed it by with the smiling calmness of the trained reporter. "You are quite right," she said cheerfully. "But it would be infinitely more interesting to talk about you than about anything else.
Source: Wikisource

Portrait of Elizabeth Garver Jordan Elizabeth Garver Jordan Tales of the City Room — Ruth Herrick's Assignment (1898)

He was to make the speech of the evening, and he had promised his hostess that he would explain to the non-professional guests what a "beat" really means to the newspaper and reporter that secure it. Earlier in the day he had submitted his definition to Miss Herrick for her approval.
"A big beat," he had read solemnly, "is an important exclusive story. If it appears in your newspaper, it is the greatest journalistic feat of the year, implying the possession of superior skill, brains, and journalistic enterprise by the members of your staff.
Source: Wikisource

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