Bankim Chandra Chattopadhyay

Bankim Chandra Chattopadhyay

Summary

Portrait of Bankim Chandra Chattopadhyay Bankim Chandra Chattopadhyay Kapalkundala (1919)

She was indeed, a child of nature, as Miranda or Sakuntala was, though she was something different from either. Miranda and Sakuntala knew the ways of the world but she was naturally ignorant of them. The warm passion of love was singularly wanting in her. When she met Nabokumar she felt for him not what Miranda felt for Fardinand or Sakuntala for Dussanto—but she felt for him what a kind-hearted woman feels for a benighted traveller. Even her married life brought no change. Nature gave her the best education—the endless sea, the vast sky, the broad and general air enlarged her heart.
Source: Wikisource

Portrait of Bankim Chandra Chattopadhyay Bankim Chandra Chattopadhyay Kapalkundala (1919)

The flute of her treble voice swept a touch on a chord in Nobokumar's heart. At times, the wonderful gear of the heart-strings goes out of tune in such a way that with all our efforts no music can be struck out of them, though the defect can be remedied at the fine touch of a single word or the soft voice of a woman. Then everything becomes full of harmony and life an un-ending flow of music. The voice sent a drift into Nabokumar's ear in such sweet strains.
Source: Wikisource

Portrait of Bankim Chandra Chattopadhyay Bankim Chandra Chattopadhyay Kapalkundala (1919)

It was deep into night when Nabokumar awoke. He wondered that till then he was not killed by a tiger. He gave all sides his searching-glances, to be sure whether a tiger was stalking him or not. Suddenly he espied before him the glimmer of a light at a long distance. To guard against delusion, he strained his eyes after it. The orb of light grew by degrees in magnitude and brightness and he concluded it to be a fire-light. No sooner did Nabokumar conclude this, than his hope of life revived. No such light was possible without man because it was not the season of forest-fire.
Source: Wikisource

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