Baron Edward Bulwer Lytton Lytton

“ Motionless in the frosty air rested the pointed church-spire, and through the frosty air, higher and higher up the arch of heaven, soared the unpausing moon. Around and below and above her, the stars which no science can number; yet not less difficult to number are the thoughts, desires, aspirations which, in a space of time briefer than a winter's night, can pass through the infinite deeps of a human soul.
From his stand by the Gothic tomb, Kenelm looked along the churchyard for the infant's grave which Lily's pious care had bordered with votive flowers. ”

“ Kenelm had drawn so charming a picture of the Fairy, and so thoroughly convinced Sir Peter that his own feelings towards her were those of no passing youthful fancy, but of that love which has its roots in the innermost heart, that though it was still with a sigh, a deep sigh, that he dismissed the thought of Cecilia, Sir Peter did dismiss it; and, taking comfort at last from the positive assurance that Lily was of gentle birth, and the fact that her name of Mordaunt was that of ancient and illustrious houses, said, with half a smile, "It might have been worse, my dear boy. ”

“ Unable longer to control his passions of rage, of scorn, of agonizing grief, Kenelm then burst forth: "Man, man, whom I once accepted as a teacher on human life,—a teacher to warm, to brighten, to exalt mine own indifferent, dreamy, slow-pulsed self! has not the one woman whom thou didst select out of this overcrowded world to be bone of thy bone, flesh of thy flesh, vanished evermore from the earth,—little more than a year since her voice was silenced, her heart ceased to beat? ”

“ As Kenelm had neither as yet wooed nor won the lady in question, and did not deem it necessary to enter into any details on the subject of love particular to himself, he replied by a general observation,—
"It seems to me that the coming of love is like the coming of spring: the date is not to be reckoned by the calendar. It may be slow and gradual; it may be quick and sudden. But in the morning, when we wake and recognize a change in the world without, verdure on the trees, blossoms on the sward, warmth in the sunshine, music in the air, then we say Spring has come!" ”

“ I come to say to Miss Mordaunt's guardian, 'I ask the hand of your ward. If you also woo her, I have a very noble rival. With both of us no consideration for our own happiness can be comparable to the duty of consulting hers. Let her choose between the two.'"
"Impossible!" exclaimed Mrs. Cameron; "impossible. You know not what you say; know not, guess not, how sacred are the claims of Walter Melville to all that the orphan whom he has protected from her very birth can give him in return. She has no right to a preference for another: her heart is too grateful to admit of one. ”

“ It remained yet to be seen whether Kenelm had deceived himself in the belief that had made the world so beautiful to him since the hour of their last parting. At all events it was due to her, due even to his rival, to assert his own claim to her choice. And the more he recalled all that Lily had ever said to him of her guardian, so openly, so frankly, proclaiming affection, admiration, gratitude, the more convincingly his reasonings allayed his fears, whispering, "So might a child speak of a parent: not so does the maiden speak of the man she loves; she can scarcely trust herself to praise." ”

“ Love may depart from our mortal life: we console ourselves; the beloved will be reunited to us in the life to come. But if he who sets his heart on fame loses it in this life, what can console him?"
"Did you not say a little while ago that fame allowed of no grave?"
"True; but if we do not achieve it before we ourselves are in the grave, what comfort can it give to us? Love ascends to heaven, to which we hope ourselves to ascend; but fame remains on the earth, which we shall never again revisit. ”

“ So saying, so obeying in spite of himself the anguish of his heart, Kenelm wrung his companion's hand with the force of an uncontrollable agony, and speeded over the bridge before Melville recovered his surprise.
The artist would have small claim to the essential attribute of genius—namely, the intuitive sympathy of passion with passion—if that secret of Kenelm's which he had so lightly said "he had acquired the right to learn," was not revealed to him as by an electric flash. "Poor fellow!" he said to himself pityingly; "how natural that he should fall in love with Fairy! ”

“ Melville was in the midst of some glowing sentence, begun when Kenelm dropped from his side, and the end of the sentence was this:
"Words cannot say how fair seems life; how easy seems conquest of fame, dating from this day—this day"—and in his turn he halted, looked round on the sunlit landscape, and breathed deep, as if to drink into his soul all of the earth's joy and beauty which his gaze could compass and the arch of the horizon bound. ”

“ He turned quickly, as Kenelm entered the room unannounced, let fall brush and palette, came up to him eagerly, grasped his hand, drooped his head on Kenelm's shoulder, and said, in a voice struggling with evident and strong emotion,—
"Since we parted, such grief! such a loss!"
"I know it; I have seen her grave. Let us not speak of it. Why so needlessly revive your sorrow? So—so—your sanguine hopes are fulfilled: the world at last has done you justice? Emlyn tells me that you have painted a very famous picture." ”

“ In what loving sympathy with the past—sympathy only vouchsafed to the tenderest women and the highest poets—didst thou lay thy flowers on the tomb, to which thou didst give a poet's history interpreted by a woman's heart, little dreaming that beneath the stone slept a hero of thine own fallen race."
He passed beneath the shadow of the yews, whose leaves no winter wind can strew, and paused at the ruined tomb,—no flower now on its stone, only a sprinkling of snow at the foot of it,—sprinklings of snow at the foot of each humbler grave-mound. ”

“ I can but stay at Grasmere a very few days; but before I leave I must know this, am I going to work for Lily or am I not? On the answer to that question depends all. If not to work for her, there would be no glory in the summer, no triumph in art to me: I refuse the offer. If she says, "Yes; it is for me you work," then she becomes my destiny. She assures my career. Here I speak as an artist: nobody who is not an artist can guess how sovereign over even his moral being, at a certain critical epoch in his career of artist or his life of man, is the success or the failure of a single work. ”

“ Perhaps some day a German pilgrim may repay tenfold to thee the tribute rendered by the English kinsman to the Father Rhine.
Listening to the whispers of the reeds, Kenelm Chillingly felt the haunting influence of the legendary stream. Many a poetic incident or tradition in antique chronicle, many a votive rhyme in song, dear to forefathers whose very names have become a poetry to us, thronged dimly and confusedly back to his memory, which had little cared to retain such graceful trinkets in the treasure-house of love. ”

“ Life is composite, many-sided: nature does not permit it to be lastingly monopolized by a single passion, or while yet in the prime of its strength to be lastingly blighted by a single sorrow. Survey the great mass of our common race, engaged in the various callings, some the humblest, some the loftiest, by which the business of the world is carried on,—can you justly despise as heartless the poor trader, or the great statesman, when it may be but a few days after the loss of some one nearest and dearest to his heart, the trader reopens his shop, the statesman reappears in his office? ”

“ Lily's childlike affection for me is too deep and too fond not to warm into a wife's love. Happily, too, she has not been reared in the stereotyped boarding-school shallowness of knowledge and vulgarities of gentility; but educated, like myself, by the free influences of Nature, longing for no halls and palaces save those that we build as we list, in fairyland; educated to comprehend and share the fancies which are more than booklore to the worshipper of art and song. ”

“ I now understand what the great master of my art once said to me, "A career is a destiny." By one of those merchant princes who now at Manchester, as they did once at Genoa or Venice, reign alike over those two civilizers of the world which to dull eyes seem antagonistic, Art and Commerce, an offer is made to me for a picture on a subject which strikes his fancy: an offer so magnificently liberal that his commerce must command my art; and the nature of the subject compels me to seek the banks of the Rhine as soon as may be. ”

“ How the Chillinglys ever gave birth to a Kenelm is a question much more puzzling."
"Oh, my dear Sir Peter, don't be metaphysical. You know how I hate puzzles."
"And yet, Caroline, I have to thank you for a puzzle which I can never interpret by my brain. There are a great many puzzles in human nature which can only be interpreted by the heart."
"Very true," said Lady Chillingly. "I suppose Kenelm is to have his old room, just opposite to Mr. Gordon's."
"Ay—ay, just opposite. Opposite they will be all their lives. Only think, Caroline, I have made a discovery!" ”

“ Bah! I have no fear of Kenelm. By the way, did Sir Peter say if Kenelm had quite recovered his health? He was at death's door some eighteen months ago, when Sir Peter and Lady Chillingly were summoned to town by the doctors."
"My dear Gordon, I fear there is no chance of your succession to Exmundham. Sir Peter says that his wandering Hercules is as stalwart as ever, and more equable in temperament, more taciturn and grave,—in short, less odd. But when you say you have no fear of Kenelm's rivalry, do you mean only as to Cecilia Travers?" ”

“ Kenelm looked through half-closed lids at the artist, and his lips, before slightly curved with a secret scorn, became gravely compressed. In Melville's struggle to conceal emotion the strong man recognized a strong man,—recognized, and yet only wondered; wondered how such a man, to whom Lily had pledged her hand, could so soon after the loss of Lily go on painting pictures, and care for any praise bestowed on a yard of canvas. ”