Summary

Portrait of Baroness Orczy Baroness Orczy The Triumph of the Scarlet Pimpernel… (1922)

Four thousand heads have fallen under the guillotine in the past three months. All the great names of France, her noblesse, her magistracy, her clergy, members of past Parliaments, shining lights in the sciences, the arts, the Universities, men of substance, poets, brain-workers, have been torn from their homes, their churches or their places of refuge, dragged before a travesty of justice, judged, condemned and slaughtered; not singly, not individually, but in batches—whole families, complete hierarchies, entire households: one lot for the crime of being right, another for being nobly born
Source: Wikisource

Portrait of Baroness Orczy Baroness Orczy The Triumph of the Scarlet Pimpernel… (1922)

Five years, since the charred ruins of grim Bastille—stone image of Absolutism and of Autocracy—set the seal of victory upon the expression of a people's will and marked the beginning of that marvellous era of Liberty and of Fraternity which has led us step by step from the dethronement of a King, through the martryrdom of countless innocents, to the tyranny of an oligarchy more arbitrary, more relentless, above all more cruel, than any that the dictators of Rome or Stamboul ever dream of in their wildest thirst for power.
Source: Wikisource

Portrait of Baroness Orczy Baroness Orczy The Triumph of the Scarlet Pimpernel… (1922)

One man for devotion to his friend, another for perfidy; one for having spoken, another for having held his tongue, and another for no crime at all—just because of his family connexions, his profession, or his ancestry.
For months it had been the innocents; but since then it has also been the assassins. And the populace, still awaiting the Millennium, clamour for more victims and for more—for the aristocrat and for the sans-culotte, and howl with execration impartially at both.
Source: Wikisource

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