Summary

Portrait of Baroness Orczy Baroness Orczy The Triumph of the Scarlet Pimpernel… (1922)

During the day the small wicket in the huge porte-cochère is usually kept open; it allows a peep into a short dark passage, and beyond it to the lodge of the concierge. Beyond this again there is a courtyard, into which, from every one of its four sides, five rows of windows, all adorned with grey shutters, blink down like so many colourless eyes. The inevitable wrought-rion balconies extend along three sides of the quadrangle on every one of the five floors, and on the balustrade of these, pieces of carpet in various stages of decay are usually to be seen hanging out to air.
Source: Wikisource

Portrait of Baroness Orczy Baroness Orczy The Triumph of the Scarlet Pimpernel… (1922)

They are at the far corners of the courtyard; both are pitch dark and reek of stuffiness and evil smells. The apartments which they serve, especially those on the lower floors, are dependent for light and air on what modicum of these gifts of heaven comes down the shaft into the quadrangle.
After dark, of course, porte-cochère and wicket are both closed, and if a belated lodger of visitor desires to enter the house, he must ring the bell and the concierge in his lodge will pull a communicating cord that will unlatch the wicket.
Source: Wikisource

Portrait of Baroness Orczy Baroness Orczy The Triumph of the Scarlet Pimpernel… (1922)

From shutter to shutter clothes lines are stretched and support fantastic arrays of family linene that flap lazily in the sultry, vitiated air which alone finds its way down the shaft of the quadrangle.
On the left of the entrance passage and opposite the lodge of the concierge there is a tall glass door, and beyond it the vestibule and primary staircase, which gives access to the principal apartments—those that look out upon the street and are altogether more luxurious and more airy than those which give upon the courtyard.
Source: Wikisource

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