Summary

Portrait of Barry Pain Barry Pain Wilmay and Other Stories of Women… (1898)

A good fool, wishing to be otherwise and failing—the end of the century makes such things.
And Margaret—well might Mrs. Holly have noticed that Margaret Fayre had moods. It had come—she had fallen in love, and she knew it. But it had not come as she had expected—not as a torment, not as a thirst for the unattainable. If she entered a drawing-room where Stanley Welborough was, almost immediately he was by her side. The attitude was respectful, reverential—with Kitty it was all chuckling frivolity. Margaret never expressed the least preference that Stanley did not remember.
Source: Wikisource

Portrait of Barry Pain Barry Pain Wilmay and Other Stories of Women… (1898)

Margaret Fayre knew of no woman who worshipped beauty as she herself worshipped it, no woman with her capacity for love and her longing to be loved, no woman so ugly as she seemed to herself, none so loveless.
"I have the wrong soul," she said, "the soul that should have been given only to a beautiful woman." For twenty years she had been a woman, and she had never yet fallen in love with a man.
Source: Wikisource

Portrait of Barry Pain Barry Pain Wilmay and Other Stories of Women… (1898)

He seemed to say to her, "I have been with you too long, and ill-natured people will chatter. But I know that nobody could be jealous of Margaret Fayre. To spare you anxiety, I talk to her." Poor Margaret Fayre, for the first time in her life counting victories! She was like a mere beginner who sits down with the real chess-player, and wins and wins, and never notices the inscrutable smile of his great opponent. Yet, for the time being, it worked well enough—Kitty was happy, and Margaret was happy.
But Stanley Welborough was not happy.
Source: Wikisource

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