Barry Pain

Biographical details

Portrait of Barry Pain Barry Pain,  The New Gulliver, and Other Stories

“ The bottled perfume is like mechanical music; the freshness and life have departed from it.
Even in the daytime but little sound of traffic reaches my garden, and at night there are such long stretches of precious silence that one seems to be far from London. As one grows older one values silence more—maybe a gentle providence, that in the end the great silence may not be unwelcome. The years change in so many things our sense of value. Property loses much of its attraction when one begins to think for how short a time one may hold it.
”
Source: Gutenberg

Portrait of Barry Pain Barry Pain,  Stories in the Dark (1901)

“ It was brilliant, rapid music to-night. Viola threw off her cloak and danced. As she did so, she saw that a shadow lay over a fragment of the moon's edge. It was the night of a total eclipse. She heeded it not. The intoxication of the dance was on her. She was all in white; even her face was pale in the moonlight. Every movement was full of poetry and grace.
The music would not stop. She had grown deathly weary. It seemed to her that she had been dancing for hours, and the shadow had nearly covered the moon's face, so that it was almost dark. She could hardly see the trees around her.
”
Source: Wikisource

Portrait of Barry Pain Barry Pain,  The Girl with the Beautiful Hair (1906)

“ It is good for a girl who has been long in a crowded town to go away into the forest solitude. Your soul must go to the cleaner, just like your gloves.
Now that there was no one to sympathise with her loss, and no one to attract by her beautiful hair even if she had still had it, she could begin to think of other things. And she thought about squirrels, and nuts, and blackberries, and sunsets, and streams that made silvery lines down the green hillsides. And every morning she went all by herself to a cottage two miles off and fetched milk for herself.
”
Source: Wikisource

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