Genre

“ In the books definitely called L’Évolution des genres, in his Manuel of French literature, and in a large number of other volumes of collected essays he enforced with great learning and power of argument, if with a somewhat narrow purview and with some prejudice against writers whom he disliked, a new form of the old doctrine that the “kind” not the individual author or book ought to be the main subject of the critic’s attention. ”

“ Is it not singular that in a country which was the cradle, if not the birth-place of modern poetry and romance, the language, the literature, and the women, should be so essentially and incurably prosaic? ”

“ Of the cultivation of the Beautiful through Literature I have already spoken. Bear with me whilst I urge on you to cultivate the other branches. The history of a people may be read in their arts as clearly as in their language. And no people can reach a high standard of culture, or fully develop the social and unselfish elements of its character, the aesthetic side of whose nature is left uncared for. ”

“ First each novel, and then each class of novels, exists by and for itself. I will take, for instance, three main classes, which are fairly distinct: first, the novel of adventure, which appeals to certain almost sensual and quite illogical tendencies in man; second, the novel of character, which appeals to our intellectual appreciation of man’s foibles and mingled and inconstant motives; and third, the dramatic novel, which deals with the same stuff as the serious theatre, and appeals to our emotional nature and moral judgment. ”

“ Literature and drama in ethology. Poetry, drama, and literary fiction are useful to ethology in one or the other of two ways: (1) they reveal facts of the mores; (2) they show the longings and ideals of the group,—in short, what the people like and wish for. The second division includes mythology, fairy tales, and extravaganzas. The taste for them, if it exists, is a feature of the mores, but in fact such a taste is hardly ever popular. It is a product of culture. Myths, legends, proverbs, fables, riddles, etc., are popular products. ”

“ To give the phrase, the sentence, the structural member, the entire composition, song, or essay, a similar unity with its subject and with itself:—style is in the right way when it tends towards that. All depends upon the original unity, the vital wholeness and identity, of the initiatory apprehension or view. So much is true of all art, which therefore requires always its logic, its comprehensive reason—insight, foresight, retrospect, in simultaneous action—true, most of all, of the literary art, as being of all the arts most closely cognate to the abstract intelligence. ”

“ Now whatever may be the result of my experiment in the subjects which I have chosen for poetical composition—be they vulgar or be they not,—I can say without vanity, that I have bestowed great pains on my style, full as much as any of my contemporaries have done on theirs. I yield to none in love for my art. I, therefore, labour at it with reverence, affection, and industry. ”

“ The purpose of the present study, then, has been to arrange in a single logical classification the elements which make up traditional narrative literature. Stories that have formed part of a tradition, whether oral or literary, find a place here. The folktale, the myth, the ballad, the fable, the mediaeval romance, the fabliau, the jest, the exemplum, and the local tradition have all been included, though some of these divisions have been inadequately recorded. ”

“ Acting upon this principle of practical usefulness, I have also made the index very inclusive of various kinds of motifs. Sometimes the interest of a student of traditional narrative may be centered on a certain type of character in a tale, sometimes on an action, sometimes on attendant circumstances of the action. Hence I have endeavored to use all the elements of tales that have in the past been objects of special study and similar elements that are likely to serve as such objects in the future. A glance at the synopsis will indicate the varied nature of the contents of the classification. ”

“ DOING AS ONE LIKES.
I have been trying to show that culture is, or ought to be, the study and pursuit of perfection; and that of perfection as pursued by culture, beauty and intelligence, or, in other words, sweetness and light, are the main characters. But hitherto I have been insisting chiefly on beauty, or sweetness, as a character of perfection. To complete rightly my design, it evidently remains to speak also of intelligence, or light, as a character of perfection. ”

“ DETACHED REFLECTIONS ON DIFFERENT QUESTIONS OF ÆSTHETICS. All the properties by which an object can become æsthetic, can be referred to four classes, which, as well according to their objective differences as according to their different relation with the subject, produce on our passive and active faculties pleasures unequal not only in intensity but also in worth; classes which also are of an unequal use for the end of the fine arts: they are the agreeable, the good, the sublime, and the beautiful. ”

“ The attempt has here been made to outline some of the main principles of the art of fiction without adopting the partisan attitude of any one school. Within the limits of these principles there is room for a great variety of type, for realism and romance, for chronicles of the commonplace and annals of adventure, for stirring tales of action and subtle psychological analysis. The endless variety of human life supplies an equally endless variety of themes ”

“ That will be selected which gives with most freshness and variety the different aspects of continental feeling, the only limits of selection being that a book shall be, on the one hand, amusing, and, on the other, wholesome.
One difficulty which must be frankly faced is that of subject. Life is now treated in fiction by every race but our own with singular candour. ”

“ But a race may surely find springing up in itself a fresh love of romance, in the high sense of that word, which can keep it active, hopeful, ardent, progressive. Perhaps the novel is to be, in the next decades, part of the outward manifestation of a new birth of this love of breadth and happiness. ”

“ In each case language is made the bearer of the writer's personality. Style in literature is the breathing forth of soul and spirit; as is the soul, and as is the spirit in depth, sympathy, and power, so will the style be rich, distinctive, and memorable. Professor Raleigh says that "All style is gesture—the gesture of the mind and of the soul. ”

“ Do not our fiction and drama to-day—the drama a belated ally of the Novel in this and other regards—find in the delineation of the eternal feminine under new conditions of our time, its chief, its most significant motif? ”

“ Turning our attention from the epic and the drama, and confining it to the general type of fiction which in the last chapter was loosely named novelistic, we shall find it possible to distinguish somewhat sharply, on the basis of both material and method, between three several forms,—the novel, the novelette, and the short-story. The French, who are more precise than we in their use of denotative terms, are accustomed to divide their novelistic fiction into what they call the roman, the nouvelle, and the conte. ”

“ In the same way the skilful introduction of truly historical customs, manners, habitudes and so forth, belonging to any race, or people, or to any particular class of people, gives to a work of fiction a life-like colouring which it is difficult otherwise to attain. ”

“ In place of a mental output, rigidly confined within unbending modes of thought and expression, we have a literature that reflects the varied phases of human life, that can discard romance and look upon the commonplace ”

“ The segregating groups will develop fashions of costume, types of manners and bearing, and even, perhaps, be characterized by a certain type of facial expression. And this gives us a glimpse, an aspect of the immediate future of literature. The kingdoms of the past were little things, and above the mass of peasants who lived and obeyed and died, there was just one little culture to which all must needs conform. Literature was universal within the limits of its language. ”

“ In the book, you have claimed culture, but when your readers come to this verse, they will say that no one with the culture of a longshoreman would try to pass off such stuff as verse even in fun, and that if you had the slightest tincture of literary taste, you would realize this. You will go down to posterity in ridicule, and destroy all the good your books might otherwise do. ”

“ When the student has settled in his own mind the general and primary characteristics, in either sex, of the human figure, the next step will enable him to reduce the particular character of his subject into its proper class, whether it rank under the sublime or the beautiful, the heroic or the graceful, the masculine or the feminine, or in any of its other softer or more spirited distinctions. ”

“ So far I have been speaking of certain conditions of the literary art arising out of the medium or material in or upon which it works, the essential qualities of language and its aptitudes for contingent ornamentation, matters which define scholarship as science and good taste respectively. They are both subservient to a more intimate quality of good style: more intimate, as coming nearer to the artist himself. ”

“ It is exposed to the attractions of all kinds of subordinate and partial literature,—the fairy story, the conventional romance, the pathetic legend,—and it escapes them all by taking them all up as moments, as episodes and points of view, governed by the conception, or the comprehension, of some of the possibilities of human character in a certain form of society. ”

“ As in living creatures, the blood, nourishing the body, determines its very contour and external aspect, just so, to his mind, the matter, the basis, in a work of art, imposed, necessarily, the unique, the just expression, the measure, the rhythm—the form in all its characteristics.
If the style be the man, in all the colour and intensity of a veritable apprehension, it will be in a real sense "impersonal." ”

“ Our real and our ideal are not twins. Never were! I want the books, but the clothes basket wants me. I love nature and figures are my fate. My taste is books and I farm it. My taste is art and I correct exercises. My taste is science and I measure tape. Can it be that this drudgery, not to be escaped, gives 'culture?' Yes, culture of the prime elements of life, of the very fundamentals of all fine manhood and fine womanhood, the fundamentals that underlie all fulness and without which no other culture worth the winning is even possible. ”

“ Like the poetry, these materials were handed down from generation to generation by word of mouth, and when at length the conditions for a real literary activity were at hand a most remarkable literature was produced out of these traditions. ”

“ And even in those arts which are notable for their expressive values, poetry, fiction, drama and painting, the appeal of form, as in the plot of a drama, or the structure of an ode or it sonnet is still very high. ”

“ Enough, I would go doggedly to work upon my tale or novel.
But what was the tale or novel to be about? Was it to be a tale of fashionable life, about Sir Harry Somebody, and the Countess something? But I knew nothing about fashionable people, and cared less; therefore how should I attempt to describe fashionable life? What should the tale consist of? The life and adventures of some one. Good—but of whom? ”

“ If therefore you find some tales in one collection bearing a close resemblance with those you have read in another, you should make it a matter of interest to observe what is individual in the character of each, and to trace the points both of diversity and analogy in the mode of expression in which they are clothed, and which will be found just as marked as the difference in costume of the respective peoples who have told them each after their own fashion. ”

“ In contrast with the orderly phenomena of speech and writing, which are amenable to scientific processes of examination and classification, and which take rank with the orderly successions of change in nature, we have what, for want of a more exact term, we call “mere literature,”—the literature6 which is not an expression of form, but an expression of spirit. ”

“ We saw the realist run into the naturalist, the naturalist into the animalist, the psychologist into the sexualist, and the sudden reaction to romance, in the form of what is called the historic novel, the receipt for which can be prescribed by any competent pharmacist. ”

“ These various elements are worthy of separate consideration.
(1) The characters of a novel are of prime importance. As in actual life, they give tone to the society to which we are introduced. They should be clearly individualized, as in the drama, and maintain throughout a reasonable consistency. They may be taken from any class of society; and writers of large creative genius, like Shakespeare, Scott, Dickens, Balzac, will be distinguished both for the number and for the variety of their characters. ”

“ When we regard the theory of style from the standpoint of recent psychology, a whole series of problems are seen to be involved—the nature of literary genius, association by similarity and its relation to the feelings, and connected with all these—and offering, perhaps, the best point of attack for our present purpose—the functioning of the creative imagination. ”

“ Here the primitive has vanished, we treat certain poetical motives, motives which the teller hardly belives in, but which, after traditional custom must be used in this kind of a tale, for the tales are after all poetical compositions too, and in their lives, in a rich popular tradition, we have so to say an equivalent to the written sources with which the history of litterature deals even if the material as a link in a verbal tradition conforms to other laws than those reigning in the world of litterature. ”

“ These are the two main ingredients of human culture; but they do not exhaust the whole of it. There is a third division, which, if subordinate, and owing allegiance to the two others, is barely inferior to them, and not less needful to the completeness of the human being; I mean the aesthetic branch; the culture which comes through poetry and art, and may be described as the education of the feelings, and the cultivation of the beautiful. ”