Richard Jefferies,
The Story of My Heart: An Autobiography
“ To me everything is supernatural. ”
The supernatural refers to entities or phenomena that go beyond the natural laws, originating in medieval Latin and developing through religious, philosophical, and literary contexts. Authors like Dorothy Scarborough emphasize its widespread influence in literature, shaping human imagination and belief systems, while Elbert Hubbard views it as a natural aspect of life that is often misunderstood.
Joseph Conrad critiques the supernatural as a constructed idea, contrasting it with the deep "marvelous" of human experience. Otis Adelbert Kline points out how the term reflects human ignorance, fading as knowledge grows. This theme connects the familiar with the mysterious, revealing how literature and thought have continually explored the limits of reality.
Richard Jefferies,
The Story of My Heart: An Autobiography
“ To me everything is supernatural. ”
Dorothy Scarborough, The Supernatural in Modern English Fiction
“ Literature, always a little ahead of life, has formed our beliefs for us, made us free with spirits, and given us entrance to immortal countries. The sense of the unearthly is ever with us, even in the most commonplace situations,—and there is nothing so natural to us as the supernatural. Our imagination, colored by our reading, reveals and transforms the world we live in. We are aware of unbodied emotions about us, of discarnate moods that mock or invite us. ”
Dorothy Scarborough, The Supernatural in Modern English Fiction
“ English Fiction INTRODUCTION The supernatural is an ever-present force in literature. It colors our poetry, shapes our epics and dramas, and fashions our prose till we are so wonted to it that we lose sense of its wonder and magic. If all the elements of the unearthly were removed from our books, how shrunken in value would seem the residue, how forlorn our feelings! Lafcadio Hearn in the recently published volume, Interpretations of Literature, says:There is scarcely any great author in European literature, old or new, who has not distinguished himself in his treatment of the supernatural. ”
From tangible apparitions demanding vengeance to internalized specters of memory and trauma, the ghost has undergone a radical evolution. Discover how science pushed the supernatural inward, transforming external horrors into profound reflections of our psychological landscape.
At the turn of the 20th century, the hunt for telepathic powers forced science to confront its own biases, define the very boundaries of consciousness, and inadvertently refined experimental psychology—even if thought transference remained an enigma.