Summary

Portrait of E. T. A. Hoffmann E. T. A. Hoffmann The Serapion Brethren, Vol. II

He painted, in the most brilliant colours, the folly--the madness--of amorous old age yielding to love, which has the power of bringing down upon its head the most destroying evil with which Heaven can threaten man, since it annihilates all the affection which might still be his portion, whilst hatred and contempt aim their death-dealing arrows at him from every side.
And Marianna cried out, in a tone which penetrated the heart: "Oh, my uncle! I want to love and honour you as a father! You will bring me to the bitter death if you take Antonio from me!"
Source: Gutenberg

Portrait of E. T. A. Hoffmann E. T. A. Hoffmann The Serapion Brethren, Vol. II

Although I am the surgeon who opened a vein for you, I belong to Art with all my heart and soul. I intend now to devote myself to it altogether, and throw the hateful handicraft entirely to the winds."
"Ho, ho, Antonio!" said Salvator, "bethink you what you are going to do. You are a clever surgeon, and perhaps will never be more than a bungler at painting. Young as you are in years, you are too old to begin with the crayon. A man's whole life is scarcely enough in which to attain to one single perception of the True, still less to the power of representing it poetically."
Source: Gutenberg

Portrait of E. T. A. Hoffmann E. T. A. Hoffmann The Serapion Brethren, Vol. II

And this Formica--this Pasquarello--was transformed into--Salvator Rosa!
"Salvator!" cried Marianna, Antonio, and Capuzzi, ensemble, all amazement.
"Yes," said that wondrous man. "Salvator Rosa; whom the Romans would have none of, as painter, as poet; and who, as Formica, for more than a year, on Nicolo Musso's poor little stage, moved them almost nightly to the loudest and most immoderate applause; from whom they gladly accepted all ridicule and mockery of what was bad, though they would not swallow it in Salvator's poems and pictures. Salvator Formica it is who has aided you, dear Antonio."
Source: Gutenberg

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