Salvator Rosa

“ And this Formica--this Pasquarello--was transformed into--Salvator Rosa!
"Salvator!" cried Marianna, Antonio, and Capuzzi, ensemble, all amazement.
"Yes," said that wondrous man. "Salvator Rosa; whom the Romans would have none of, as painter, as poet; and who, as Formica, for more than a year, on Nicolo Musso's poor little stage, moved them almost nightly to the loudest and most immoderate applause; from whom they gladly accepted all ridicule and mockery of what was bad, though they would not swallow it in Salvator's poems and pictures. Salvator Formica it is who has aided you, dear Antonio." ”

“ It is suspected that he was executed within the precincts of the prison, but nothing certain is known; all is suspicion and mystery. If he has not left anything very memorable, his poems are at least spirited and elegant, and, unlike many of his contemporaries, he is never dull and ponderous. Some of his letters are witty and vivacious.
The great painter, Salvator Rosa, often amused his leisure with writing verses, and if his attention had not been so strongly directed to the sister art of painting, he might have achieved notable success in poetry. ”

“ Salvator Rosa's greatest talent lay in landscape painting, a branch which he affected to despise, as he was ambitious of being called an historical painter. Hence he called his wild scenes, with small figures merely accessory, historical paintings, and was offended if others called them landscapes. Pascoli relates that Prince Francisco Ximenes, soon after his arrival at Rome, in the midst of the honors paid him, found time to visit the studio of Salvator Rosa, who showed him into his gallery. ”

“ This picture, as will be readily guessed, is the work of Salvator Rosa. Born at Arenella, near Naples, in 1615, of poor parents, he was so admirably endowed by nature that, even in his boyhood, he became a spirited painter, a good musician, and an excellent poet. ”

“ His excellency made an uncere [Pg 98] monious retreat, and returned no more to the enraged painter's studio.
SALVATOR ROSA'S OPINION OF HIS OWN WORKS.
While a Roman nobleman was one day endeavoring to drive a hard bargain with Salvator Rosa, he coolly interrupted him, saying that, till the picture was finished, he himself did not know its value; "I never bargain, sir, with my pencil; for it knows not the value of its own labor before the work is finished. ”

“ Shall it not be so, my eminent Serapion Brethren?"
The friends acquiesced, and Ottmar began.
SIGNOR FORMICA. A NOVELLA. The renowned painter, Salvator Rosa, comes to Rome, and is attacked by a dangerous malady.--What happened to him during this malady.
People of renown generally have much evil spoken of them, whether truthfully or otherwise, and this was the case with the doughty painter Salvator Rosa, whose vivid, living pictures you, dear reader, have certainly never looked upon without a most special and heartfelt enjoyment. ”

“ Callot, though a Frenchman, studied and flourished in Italy, and his style is founded upon Italian art. The last great artist whose treatment of the Temptation I shall quote, is Salvator Rosa, an Italian by birth, who flourished in the middle of the seventeenth century. His style, according to some opinions, is refined from that of Callot; at all events, it is bolder in design. Our cut No. 162 represents St. Anthony protecting himself with the cross against the assaults of the demon, as represented by Salvator Rosa. ”

“ Signor Pasquale, his face as pale as death, incapable of uttering a single word or even a sound, was led away by the very same gendarmes who were to have protected him against masked devils and spectres. Thus it came to pass that on the selfsame night on which he had hoped to celebrate his triumph, he was plunged into the midst of trouble and of all the frantic despondency which amorous old fools feel when they are deceived.
VI. Salvator Rosa leaves Rome and goes to Florence. Conclusion of the history.
Everything here below beneath the sun is subject to continual change ”

“ Then, opening his eyes wide as if he saw a miracle, and jauntily throwing his conical hat on the top of his wig, he took his crutch-stick under his arm, made one bound to the spinet, tore the lid off the hinges, and holding it above his head, ran like a madman out of the room, down the stairs, and away, away out of the house altogether, followed by the hearty laughter of Dame Caterina and both her daughters.
"The old miser," said Salvator, "knows very well that he has only to take yon painted lid to Count Colonna or to my friend Rossi and he will at once get forty ducats for it, or even more." ”

“ He took Salvator's hand, and whispered gently: "My dear Signor Salvator, you can do anything with the good Antonio. Beg him, in my name, to allow me to spend the brief remainder of my days with him and my dear daughter Marianna, and to accept from me the fortune which she inherits from her mother, to which I mean to add a liberal marriage-portion. And then, too, he mustn't look askew if I now and then kiss the lovely child's little white hand; and--at all events on Sundays when I go to mass--he must dress my moustache for me; a thing which nobody in all the world can do as he can." ”

“ The doctor sounded the chest with his foot and went out, repeating, "We shall see."
"When the good widow went back to the little chamber, Salvator began to give some signs of life. The young girls had come stealthily back, and stood, like two guardian angels, at his bedside. There was a delicious poetry in the joy of this poor family, when the pale face of the artist appeared to grow animated under the rays of the rising sun. ”

“ It's plain to see that you don't work from a stiff, inflexible model, or even from a dead skeleton form; it is evident that you yourself are your own breathing, living model, and that when you sketch or paint, you have the figure you want to put on your canvas reflected in a great mirror opposite to you."
"The devil! Antonio," exclaimed Salvator, laughing, "I believe you must often have had a peep into my studio when I was not aware of it, since you have such an accurate knowledge of what goes on within." ”

“ Salvator who, since the departure of Antonio had shut himself up in his studio, produced several paintings of rare merit, and which ought to have stamped his genius with a seal of glory. But thanks to the calumnies which enviers spread abroad unceasingly, it came into fashion to decry his works, as they decried his reputation; and in public exhibitions of paintings, pretended rivals to Salvator, people of the academy of San-Luca, and simple amateurs, no longer examined his paintings without shrugging their shoulders or shaking their heads with a most disdainful look. ”

“ It was at the foot of his kinsman’s easel, and listening to details which laid perhaps the foundation of that contemptuous opinion he cherished through life for schools, academies, and all incorporated pedantry and pretension, [26] that Salvator occasionally amused himself in copying, on any scrap of board or paper 290which fell in his way, whatever pleased him in Francesco’s pictures. His long-latent genius thus accidentally awakened, resembled the acqua buja, whose cold and placid surface kindles like spirits on the contact of a spark. ”

“ Man, with his doings, contents you not; you look at him only as being in the lap of Nature, and in so far as his inmost being is conditioned by her phenomena. Therefore, Salvator, it is in marvellous combinations of landscape with figure that you are so wondrous great. Historical painting places limits which hem your flight, to your disadvantage."
"You tell me this, Antonio," said Salvator, "as the envious historical painters do, who throw landscape to me by way of a bonne-bouche, that I may occupy myself in chewing it, and abstain from tearing their flesh. ”

“ And therewith he kicked up such a din, shouting, 'Fire! Murder! Thieves! Help!' that I was perfectly confounded, and only thought of making the best of my way out of the house.
"The crackbrained old fool is over head and ears in love with his niece; he keeps her under lock and key; and as soon as he succeeds in getting dispensation from the Pope, he will compel her to a shameful alliance with himself. All hope for me is lost!"
"Nay, nay, not quite," said Salvator, laughing, "I am of opinion that things could not be in a better form for you, Marianna loves you, of that you are convinced ”

“ The success of the project which Salvator had formed, wholly depended on the possibility of separating Capuzzi and Marianna at the theatre. The two friends exhausted themselves in seeking the means of avoiding the presence of Splendiano and Pitichinaccio. Chance, which often remains deaf to our most anxious desires, seemed on this occasion to favor Salvator and Antonio, for the man made use of by Providence was precisely the one from whom they had most to fear, Michael, the bravo. ”

“ As soon as this resolution was taken, Salvator rose in the midst of the assembly:
"Well, gentlemen," exclaimed he, "console yourselves; the glorious prize with which you were about to honor the ashes of a dead man, you can give into the hands of a living one. Know that the Magdalen at the Saviour's feet, this painting that you have praised above all the productions of our time, is not the work of a Neapolitan painter who died in poverty and obscurity; its author is by your side, he is in Home; he is Antonio Scacciati, the surgeon!" ”

“ For--as I hope--my Salvator will appear to you as a man burning and coruscating with life and fire, but also endowed with the most charming and delightful nature, and often capable of controlling that bitter irony which--in him, as in all men of depth of character--takes form of itself from observation of life. Moreover, it is known that Salvator was as good a poet and musician as a painter, his inward genius displaying itself in rays thrown in various directions. ”

“ Although I am the surgeon who opened a vein for you, I belong to Art with all my heart and soul. I intend now to devote myself to it altogether, and throw the hateful handicraft entirely to the winds."
"Ho, ho, Antonio!" said Salvator, "bethink you what you are going to do. You are a clever surgeon, and perhaps will never be more than a bungler at painting. Young as you are in years, you are too old to begin with the crayon. A man's whole life is scarcely enough in which to attain to one single perception of the True, still less to the power of representing it poetically." ”

“ Yet at this same moment the inherent nature of woman asserted itself in her; for it only required a few significant glances from Salvator to put her in full possession of all the facts of the case. Now, for the first time, she stole a glance at the happy Antonio, blushing hotly as she did so; and a pretty sight it was to see how a roguish smile gradually routed and broke through her tears. Salvator, at any rate, despite the "Magdalene," had not expected to find the little maiden half so charming, or so sweetly pretty as he now really discovered her to be ”

“ At length Salvator paused before him and said with a smile, "See here, Antonio, I cannot do anything myself against your powerful enemies, but I know one who can help you, and who will help you, and that is—Signor Formica."
"Oh!" said Antonio, "don't jest with an unhappy man, whom nothing can save."
"What! you are despairing again?" exclaimed Salvator, who was now all at once in the merriest humour, and he laughed aloud. "I tell you, Antonio, my friend Formica shall help you in Florence as he helped you in Rome. ”

“ You say you are a surgeon, and that is a calling which does not usually pair itself readily with art."
"When you have got some strength back, dear master," answered Antonio, "there are many matters lying heavy at my heart which I will tell you of."
"Do so," said Salvator; "place full confidence in me--you may, for I do not know when a man's face went more truly to my very heart than does yours. The more I look at you the more clear it becomes to me that there is a great likeness in your face to that of the heavenly, godlike lad--I mean the Sanzio." Antonio's eyes glowed with flashing fire ”

“ The king consents, but threatens Salvatore with death in case of failure. The dead, however, comes to life, and in gratitude offers her hand, through her father, to Salvatore, [Pg 190] who declares that it is his vocation to wander over the earth. He asks that the maiden be given to his companion. [2]
In a story from Venice our Lord and St. Peter are hospitably received by a poor woman who has no bed to offer them, but makes up one for them from some straw and five ells of linen which she has bought that day. ”

“ Nor was Salvatierra entirely free from the baleful influence of his miraculous acquisition. Unconscious of its effect upon others, he only saw in their actions evidence of certain things that the crafty Peleg had hinted on that eventful New Year's eve. His most trusty retainers stammered, blushed, and faltered before him. Self-accusations, confessions of minor faults and delinquencies, or extravagant excuses and apologies met his mildest inquiries. The very children that he loved—his pet pupil, Paquita—seemed to be conscious of some hidden sin. ”

“ Johann Salvator had, however, been much more than a progressive soldier man. He was an accomplished musician, composer of popular waltzes, an oratorio and the operetta “Les Assassins.” He was an historian and publicist, of eminent official standing at least, having collaborated with Crown Prince Rudolf in the widely distributed work, “The Austro-Hungarian Monarchy in Word and Picture,” which was published in 1886. He was also a distinguished investigator of psychic phenomena, his library on this subject having been the most complete in Europe—a fact suggestive of something abnormal. ”