Summary

Portrait of E. T. A. Hoffmann E. T. A. Hoffmann The Devil's Elixir, Vol. 1 (of 2…

The melancholy, pious, childlike expression of the dark blue eyes—the delicately formed lips—the neck gently bent down, as if in devout prayer—the tall, slender, yet voluptuous form; all these—they belonged not to Aurelia—it was herself, the blessed St Rosalia! Even the minutest particulars of dress—for example, the sky-blue shawl, which the young Baroness had now thrown over her shoulders, was precisely the same worn by the saint in the picture, and by the unknown of my vision.
What was now the luxuriant beauty of Euphemia compared with the divine charms of this celestial visitant?
Source: Gutenberg

Portrait of E. T. A. Hoffmann E. T. A. Hoffmann The Devil's Elixir, Vol. 1 (of 2…

Be it what it may, it is foreign to Belcampo, whose whole soul is imbued by art, sacred art.
"Art, sir, art! My fancy revels in the wonderful formation, the creation of locks—in that moulding of character, which indeed the breath of a zephyr in wiry curls builds and annihilates. There, art (or science, as it may, for variety's sake, be called) conceives, developes, labours, and originates! In this, sir, there is indeed something truly divine; for art is not properly that of which men, under this name, speak so much, but rather springs out of all to which this name has been given.
Source: Gutenberg

Portrait of E. T. A. Hoffmann E. T. A. Hoffmann The Devil's Elixir, Vol. 1 (of 2…

At last he broke out—"Good Heaven! reverend sir, I must be grossly deceiving myself if you are not Brother Medardus, from the capuchin convent in Königswald: And yet, how is this possible? But, certainly, there can be no doubt!—Speak only, I beg of you, and clear up this mystery."
As if struck to the earth by lightning, I was, by these words of Reinhold, quite paralyzed and overpowered. I saw myself at once discovered, unmasked—accused, perhaps, as a murderer! Despair gave me strength. Life and death depended on that moment.
Source: Gutenberg

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