Summary

Portrait of Earl Lind Earl Lind,  The Female-Impersonators — Part 8 (1922)

“ Here again we see that to judge verse to be good, one has to imagine it one's own outpouring. I therefore do not expect any sexually full-fledged person to declare of my verse (even if it were the best ever written) anything else than that it is "far beneath the worst doggerel. The mere thought of it is painful!"
For—I repeat—it is impossible for any one to judge poetry objectively—only subjectively: that is, not according to the merits of the verse, but according to whether the reader can make the sentiments his own.
”
Source: Wikisource

Portrait of Earl Lind Earl Lind,  The Female-Impersonators — Part 8 (1922)

“ Only to poets and metaphysicians has Nature given a rope of sufficient length that their buckets can reach as far as the water level in the well of ideas. Nearly all poets even of the first rank manage to flop into their buckets a few exquisite thoughts as to eternal realities, and clothed in appropriate language, only about once out of a score of attempts. Nineteen-twentieths of their verse would better have been forever withheld from the public's eyes, since it is merely artificial, nonsense doggerel. ”
Source: Wikisource

Portrait of Earl Lind Earl Lind,  The Female-Impersonators — Part 8 (1922)

“ Subsequently I was seized with the desire to try out my muse in incorporating some of my other emotions and experiences in verse. I had essayed no metrical composition since 1905, the year of writing the last of my Fairie Songs, the best of which were published in the Autobiography of an Androgyne.
I understand by "poetry" the version of things seen incorporeally; things spiritualized or with a halo around them; things as they exist in substance, in reality, back of their superficial or phenomenal presentation—the version of things that an individual's subconscious or subliminal self utters.
”
Source: Wikisource

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