Rhymester

“ The regent produces an infinitely diverse spectacle, where stage and ground floor, actor and audience are one, and he himself is poet, director and hero of the play at the same time. How delightful when, as with the king, the directrice is at the same time the hero's lover and the heroine of the piece, when one catches a glimpse of the muse in her, it fills the poet with holy passion, and his lyre attunes to gentle heavenly melodies. ”

“ The line 'Born was I unto the bearing of knightly shield and spear,' is the only definite statement as to the poet's rank in life which we possess, and in the light of his lasting fame as a poet it is curious to find him holding his gift of song as of less account than his knightly deeds, which do not seem to have been more remarkable than those of his fellows. ”

“ Each, therefore, labours in his vocation; nor can the one be justly wondered at more than the other, seeing that if there be any difference in the degrees of danger to which both the hero and the poet are exposed, the courage, strength, arms, and address of the valiant knight, render it safer for him to venture into scenes of peril, than for the poor man of rhyme. ”

“ He did so, and the mean while, the master read to him from a book. "What see you?" he asked. "I see," said the knight, "a certain clerk in my house, with an image of wax which resembles me, and which he has fastened in the wall." "Look again," continued the master; "what do you perceive now?"
"He takes a bow, and places in it a sharp arrow; and now he aims at the effigy."
"As you love your life, the moment you discern the arrow flying to its mark, place yourself in the bath, and remain there, until I tell you to come out." ”

“ And when the Knight took none of these, he put into his hand a sharp knife. Once and again did the Knight lift it up as if to strike; but when the Lady Una saw it, she snatched the knife out of his hand, crying, “Fie, fie on thee, faint hearted! Is this the battle which you promised to fight against the dragon of the fiery mouth? Come away; let not these idle words dismay your heart. You are chosen to a great work; why should you despair? Surely Mercy rejoices against Judgment, and the greater the need, the greater the grace. ”

“ Every page of early European history attests the sacred consideration of the minstrel, and the romances are full of stories, which at least our imagination can credit, of many a knight telling his soft tale in the dress of a love-singing poet. ”

“ The Modern High German word acquired the sense of French rîme, ‘rhyme,’ in the time of Opitz. In the Middle High German period rîme binden was used for reimen, ‘to rhyme,’ and Gebäude by the Meistersingers for Reim. English rhyme (Middle English rîme, ‘rhymed poem, poem, rhyme’) is also borrowed from Old French rime. ”

“ Finding dramatic art confined to a close circle, wherein only rhyming productions were considered fit for presentation on the stage, and the public clamorous for aught that possessed the fire of action and the thunder of bombastic declamation, he cast from his shoulders the splendid cloak of rhyme, in which for a moment he had adorned himself, and with the plain but majestic front of a warrior, with feet in the buskins of an actor, he presented himself before the public. ”

“ Is not that a prettier notion of horses than you will get from your betting English chivalry on the Derby day?7 We will have, please heaven, some riding, not as jockeys ride, and some sailing, not as pots and kettles sail, once more on English land and sea; and out of both, kindled yet again, the chivalry of heart of the Knight of Athens, and Eques of Rome, and Ritter of Germany, and Chevalier of France, and Cavalier of England—chivalry gentle always and lowly, among those who deserved their name of knight; showing mercy to whom mercy was due, and honour to whom honour. ”

“ Here it will be observed that the Norman mode—that of rhymes—is employed, and that there is a far more careful measure in the line that is found in the poem last quoted. But the rhyming is carried to such an excess as to involve the necessity of constant invention of phrase to meet its requirements—a fertile source of obscurity. The most difficult form of stanza in respect of rhyme now in use is the Spenserian, in which, consisting of nine lines, four words rhyme together, three words, and two words. ”

“ On a sloping bank, covered with shining grass and strange flowers, lay a beautiful princess all dressed in white, and decked with shining jewels; and as she lay, she moaned and cried and prayed for deliverance. So the knight was hastening towards her, and drew his sword to cut the bonds which confined her, but at that instant up started a fierce demon whom he had not observed before, as he lay coiled up at the mouth of the cave. ”

“ Then he called to the raven, and the raven came flapping towards him, and said: ‘Put your hand under my right wing, and you will find there a knife sharp enough to take off his head.’ And sharp indeed it was, for with a single blow, the giant’s head rolled from his body.
‘Now wash yourself with warm water, and rub yourself over with oil of balsam, and to-morrow you will be as strong as many men. But beware of the words of the knight’s daughter, for she is cunning, and will try to keep you at her side. ”

“ Are you the Knight who came to the feast every day in a different colour, and who caught the three golden apples?’ asked the King.
‘Yes,’ he answered, ‘and here are the apples,’ bringing them out of his pocket, and giving them to the King. ‘If you want further proof, here is the wound in my leg given me by your people when they pursued me. But I am also the Knight who helped you to conquer the enemy.’
“If you can do such deeds you are no Gardener’s boy. ”

“ The instance of Godfrey of Bouillon showed how easy was the passage from knighthood in history to knighthood in legend and romance: legend springing from fact, out of which it makes a story framed in a picture of the time; romance unhistorical in origin, borrowing, devising, imagining according to the taste of an audience and the faculty of the trouvère. A boundless mediaeval literature of poetic legend and romantic fiction sets forth the ways of chivalry. Our attention may be confined to the Old French, the source from which German, English, and Italian literatures never ceased to draw. ”

“ The knight leaped from his saddle to seize the head and hold it up to the view of the people; but in this race, to his horror, he was outstripped by the Dwarf himself, who likewise, darting from his horse, flew to the head, grasped it firmly, gave it a shake, clapped it upon his shoulders, and fixed it again as firmly and steadily as ever. Then, ere the spectators could recover from the stupor into which this unexpected contretemps had thrown them, he struck the staring Ludolph to the ground, seized the princess by her flowing locks, swung her behind him, and bolted out of the area. ”

“ So the prince threw it; and when the magician came up, the roan horse stepped on the mirror, and crash! his foot went through the glass, and he stumbled and fell, cutting his feet so badly that there was nothing for the old man to do but to go slowly back with him to the stables, and put new shoes on his feet. Then they started once more in pursuit of the prince, for the magician set great value on the horse, and was determined not to lose it.
In the meanwhile the prince had gone a great distance; but the quick ears of the black horse detected the sound of following feet from afar. ”

“ Honors himself with architecture. Architecture was a subject in which Emerson was deeply interested. Read his poem, The Problem.
[373] Chivalry. Chivalry may be considered "as embodying the Middle Age conception of the ideal life of ... the Knights"; the word is often used to express "the ideal qualifications of a knight, as courtesy, generosity, valor, and dexterity in arms." Fully to understand the order of Knighthood and the ideals of chivalry, you must read the history of Europe in the Middle Ages. ”

“ The two of them, as they talked, afforded an interesting contrast: the Duke, with his air of distinction and race, his ironic expression, his mobile features, his clear enunciation and well-modulated voice, his easy carriage of an accomplished fencer—a fencer with muscles of steel—seemed to be a man of another kind from the slow-moving detective, with his husky voice, his common, slurring enunciation, his clumsily moulded features, so ill adapted to the expression of emotion and intelligence. ”

“ So the knights and ladies moved like living flowers to the concourse where the people were assembled—the pure grain of the kingdom. And the Wizard called in a loud voice to them, "Men and women, is it your will that your good deeds be destroyed or remain in everlasting remembrance? For this wall will never keep any true soul from the sea, nor any honest man; but he that is a rogue will beat in vain against it!" ”

“ No girl would like to be married to a man just because the lines of his poetry came out right when somebody else counted them. Yet the masters all argue and dispute and suggest about the rules; but in the end they agree to do just what the goldsmith says, since they cannot do anything else.
"Now comes the trial of the young knight who wants to be a master. The town clerk goes behind a curtain, with his slate and his chalk, and you may be sure he does not forget his promise to himself that the knight shall fail. Then the young man stands up in the midst of them all and sings his song. ”

“ Yes—be a Knight and have ‘Live pure, Speak true, Right wrong’ on your shield. Be a Round Table Knight and ride through the world bravely. Your dear Father was a great swordsman. You may have the sword down and kiss it, the first thing every morning—and you must salute it every night as you go up to bed. You shall wear a sword some day. ”

“ The illustration representing this subject is without doubt one of the best of the kind extant, and even in the present age of the gold-cure is suggestive of a night-errant of to-day.
A tournament was a sort of refined equestrian prize-fight with one-hundred-ounce jabbers. Each knight, clad in tin-foil and armed cap-a-pie, riding
CREST OF A POPULAR KNIGHT⁠
in each others direction just as fast as possible with an uncontrollable desire to push one's adversary off his horse, which meant defeat, because no man could ever climb a horse in full armor without a feudal derrick to assist him. ”

“ You must give him a horse, that he may go as beseems his quality to the Abbey.'
'Take the grey horse,' said Robin, 'and put a new saddle on it, and take likewise a good palfrey and a pair of boots, with gilt spurs on them. And as it were a shame for a Knight to ride by himself on this errand, I will lend you Little John as Squire—perchance he may stand you in yeoman's stead.'
'When shall we meet again?' asked the Knight. ”

“ Verily to all of English blood, the craft of Chivalry is the craft of the seas, for though gilded prows and oaken timbers are no more, though the sun lights no longer the woven badges of Flanders, yet the soul of man has touched the chivalry of steel, & the sun sparkles with a keener brilliance on the fierce iron as it forges windless through the waves. ”

“ Rhyme may be almost considered a modern invention; it is seldom met with in Greek or Latin, and was unknown to the Saxon poets. This repetition of the same sound at the ends of verses was introduced into England by the Anglo-Norman ballad-writers at, or soon after, the Conquest. ”

“ Titania waves wand toward Knight who springs at Witch with drawn sword.
Knight
The spell! The spell that breaks the power
That holds Prince Hero in its thrall!
Now give it me, or in this hour
Thy head shall from its shoulders fall! ”

“ So without any fear the young man melts the filings of the sword with the splendid fire which you can surely see just as well as anybody, and pours the melted metal into a mould of the shape of a sword blade. By this time the dwarf has found that it is of no use to interrupt him and has begun to think about his own work. ”

“ But Perceval will tell of this, so I must say no more; it is a great shame to tell beforehand what is in a good tale. When the good knight shall come who found the court three times you shall hear me tell of Grail and lance, and of him who lay in the bier, of the sword, of the grief and swooning of all beholders. ”

“ After a considerable pause, the Knight began the conversation. “I am doubting, Robin——”
“It is a wise man that solveth his own doubts!” returned his attendant.
“I am doubting, Robin,” continued Reginald, “whether thou or I be the greater fool!”
“A gibe! a gibe!” cried the jester; “thy reasons, most convincing disputant? thy proofs, most inventive master? thine arguments, most incontrovertible Knight? Marry, an thou make me the greater fool, it will ill become the servant to be greater than his master.” ”

“ The Spinning-girls tell of a young tailor's apprentice who travelled farther and farther, and after manifold adventures with griffins, enchanted princesses, wizard-dwarfs, and fierce mountain-piling giants at last reached the end of the world. ”

“ The shouts of conquerors and songs of triumph!
[A proud and joyous clamor arises in the distance.]
I've changed the meanings into trumpet blasts!
[The wind wafts vague sounds of trumpet-calls.]
I've earned the right to see what crawled and writhed,
Suddenly leap into a phantom charge!
[Noise as of a cavalcade. The Voices, which before
were lugubrious, now call to each other
with commands and signals.]
The Voices.
Forward!
[The drums of the wind beat the charge.]
The Duke.
The pomp and pageantry of battle,
The dust that's raised by charging cavalry!
Voices.
Charge! ”