Irwin Edman

“ It is the activity by which man realizes ideals. He may realize them practically, as when he builds a house which he has first imagined, or reaps a harvest in anticipation of which he has first sown the seeds. He may realize them imaginatively, as when in color, form, or sound he creates some desiderated beauty out of the crude miscellaneous materials of experience. Art, in the broad sense of control or direction of Nature, arises in the double fact of man's instinctive activities and desires and the inadequacy of the environment as it stands to afford them satisfaction. ”

“ The artist takes his hints from nature, but clothes the suggestions of sense with the values and motives which exist only in his own mind and imagination. A Turner sunset is, as Oscar Wilde points out, in a sense incomparably superior to one provided by nature. It not only gives the beautiful sensations to be had in a landscape suffused with the sunset glow; it infuses into this experience the passionate and penetrating insight of a genius. The artist, to an extent, imitates nature. ”

“ In order to make the nature and variety of our abject dependence on the past clear, we have only to consider our language, our laws, our political and social institutions, our knowledge and education, our view of this world and the next, our tastes and the means of gratifying them. On every hand the past dominates and controls us, for the most part unconsciously and without protest on our part. We are in the main its willing adherents. The imagination of the most radically-minded cannot transcend any great part of the ideas and customs transmitted to him. ”

“ Religion remains, as ever, "loyalty to the highest values of life." Science instead of making the world less awesome has made it more mysterious than ever. Origins and destinies are still unknown. Science tells how; it describes. It does not tell why things occur as they do; or what is the significance of their occurrence. Worship can never be reduced to molecules or atoms. While man lives and wonders, hopes and fears, feels the clear beauty, the infinite mystery, and the eternal significance of things, the religious experience will remain, and men will find objects worthy of their worship. ”

“ I have seen life as it really is—ravishingly, ecstatically, madly beautiful, and filled to overflowing with a wild joy, and a value unspeakable. For those glorified moments I was in love with every living thing before me—the trees in the wind, the little birds flying, the nurses, the internes, the people who came and went. There was nothing that was alive that was not a miracle. Just to be alive was in itself a miracle. ”

“ There is thus a psychological though perhaps not literal truth in the figure of Fate, or in the metaphor that speaks of human destiny as lying on the knees of the gods. Action so often wanders from intent, so much in the best-laid plans is at the mercy of external circumstance! A creature whose being can be snuffed out in a moment, whose life is less than an instant in the magnificent perspective of eternity, comes not unnaturally to be aware of his own insignificance as compared with those vast forces, some auspicious and some terrible, which are patently afoot in the world. ”

“ The ideal is a way of life, which will allow as much spontaneity as the conditions of nature and life allow, and provide as much control as they make necessary. To be thus in control of one's desires is to be free. It is to utilize one's interests and capacities in the light of a harmony both of one's own desires, and in so far as this harmony is universal, of the desires of all men. It is to lead the Life of Reason:
Every one leads the Life of Reason in so far as he finds a steady light behind the world's glitter, and a clear residuum of joy beneath pleasure and success. ”

“ Only when the individual is aware of the consequences of his action, and deliberately chooses those consequences, is there any individuality, any exhibition of choice—in other words, any moral value in the act. When an act is prompted by mere habit and custom, we have an evidence of an individual's environment rather than of his character. Creatures thus moved by capricious and arbitrary impulse are hardly persons, and certainly not personalities. They are played upon by every whimsicality of circumstance; their own character makes no difference at all in the world in which they live. ”

“ The appearance of dew, an eclipse of the sun, a flash of lightning, a peal of thunder, even such commonplace phenomena as the falling of objects, or the rusting of iron, the evaporation of water, the melting of snow, may provoke inquiry, may suggest the question, "Why?" Experience, as it comes to us through the senses, is broken and fragmentary. The connections between the occurrences of Nature seem casual, and connected, as it were, purely by accident. A black sky portends rain. But such an inference made by the untrained mind is merely the result of habit. ”

“ While even in nature and in social experience, we thus sometimes note specifically æsthetic values, the objects of fine art have no other justification than the immediate satisfactions they produce in their beholder. Those intrinsic pleasures which go by the general name of beauty are various and complicated. Our joy may be in the sheer delight of the senses, as in the hearing of a singularly lucid and sustained note of a clarinet, a flute, a voice, or a violin. It may be in the appreciation of form, as in the case of the symmetry of a temple, an arch, or an altar. ”

“ But, in the broadest sense, industry is a means to an end. Interesting and attractive it may well become, as when a bookbinder or a printer takes a craftsman's proud delight in the manner in which he performs his work, and in the quality of its product. But the industrial arts, for the most part, serve more ultimate purposes. It is imaginable that Nature might have provided clothing, food, and shelter ready to our hand. It is questionable whether under such circumstances men would out of deliberate choice continue industries which are now made imperative through necessity. ”

“ Through the medium of art, modes of life long past away can leave their imperishable and living mementos. Dante opens to the citizen of the twentieth century the mind and imagination of the Middle Ages. A Grecian urn can arouse, at least to a Keats, the whole stilled magic of the Greek spirit. And not only can we live through the life and emotion of times long dead, but the fiction and drama and poetry of our own day permit us to enter into realms of experience which in extent and variety would not be possible to one man. ”

“ All human relations are qualified by the presence, more or less intense, of emotion. Human beings are not merely so many items that are coldly counted and handled, as one counts and handles pounds of sugar and pieces of machinery. A man may thus regard human beings when he deals with them in mass, or thinks of them in statistical tables or in the routine of a government office. But human beings experience some emotional accompaniment in their dealings with individuals, especially when face to face, and experience more especially, in varying degrees, the emotions of love or hate. ”

“ While men fear to dissent because of the disapproval to which they may be subjected, dissent, the novel and strange in action and opinion are themselves feared by most men because of the unknown and unpredictable consequences to which they may lead. Men were at first afraid of the steam-engine and the locomotive. Men still fear novel political and social ideas before they can possibly understand what they have to be afraid of. The fact that thought so continually turns up the novel and the strange is, according to Bertrand Russell, precisely the reason why most men are afraid to think. ”

“ But because art is only effective when it appeals to the senses and to the imagination does not mean that the senses and the imagination must be stirred by insignificance. The artist may use the rhythms of music, line and color, the suggestiveness of words, in the interests of ideal values. Gifted, as he is, with imaginative foresight to imagine a world better than the one in which he is living, he may, by picturing ideals in persuasive form, not only bring them before the mind of man, but insinuate them into his heart. The rational artist may note the possibilities afoot in his environment. ”

“ So that if a virtuous soul have but a little comeliness, he will be content to love and tend him... until his beloved is compelled to contemplate and see the beauty of institutions and laws, and understand that all is of one kindred; and that personal beauty is only a trifle; and after laws and institutions, he will lead him on to the sciences, that he may see their beauty... until at length he grows and waxes strong, and at last the vision is revealed to him of a single science which is the science of beauty everywhere. ”

“ All lives are necessarily finite and exclusive; every choice of an interest or ideal very possibly precludes some other. A man cannot be all things at once; "the philosopher and the lady-killer," as James merrily remarks, "could not very well keep house in the same tenement of clay." But a strong character need not necessarily mean a narrow one, nor need a determined will be the will of a fanatic. The self may be—in the case of rare geniuses it has been—diverse in its interests, activities, and sympathies, yet unified and consistent in action. ”

“ The contrast between one's self and the world may be one of bitter opposition, as when one's ideas or actions are subjected to social censure. As Mill argued over half a century ago, the forceful suppression of opinion produces a more violent manifestation of it. Socrates was put to death, but the Socratic philosophy rose like the sun in the heavens. A sense of injustice, of unfairness, will not only intensify a man's opinions but his consciousness of his own personality. To meet with opposition is to feel acutely the outlines of one's own person ”

“ Just as old things are dog-eared, worn, and tattered, so are old institutions, habits, and ideas. Just as we want the newest books and phonographs, the latest conveniences in housing and sanitation, so we want the latest modernities in political, social, and intellectual matters. Especially about new ideas, there is the freshness and infinite possibility of youth; every new idea is as yet an unbroken promise. It has not been subjected to the frustrations, disillusions, and compromises to which all theory is subjected in the world of action. ”

“ The significance of this has been eloquently stated at the close of James's famous discussion:
The hell to be endured hereafter, of which theology tells, is no worse than the hell we make for ourselves in this world by habitually fashioning our characters in the wrong way. Could the young but realize how soon they will become mere walking bundles of habits, they would give more heed to their conduct while in the plastic state. We are spinning our own fates, good or evil, and never to be undone. Every smallest stroke of virtue or of vice leaves its never-so-little scar. ”

“ In fact, the books of costume showing how one garment grew or shrank by gradual stages and passed into another, illustrate with much force and clearness the nature of the change and growth, revival and decay, which go on from year to year in more important matters of life. In books, again, we see each writer not for and by himself, but occupying his proper place in history; we look through each philosopher, mathematician, chemist, poet, into the background of his education—through Leibnitz into Descartes, through Dalton into Priestly, through Milton into Homer. ”

“ Nature impales men, breaks them as if on the wheel, casts them to be devoured by wild beasts, burns them to death, crushes them with stones like the first Christian martyr, starves them with hunger, freezes them with cold, poisons them by the quick or slow venom of her exhalations.... ”

“ As we grow older we tend to discipline this vagrant dreaming, and to draw only those suggestions from objects which tally with the workaday world we live in. We stop playing with our imagination and put our minds to work. But in adult life desire for the play of the mind, like the desire for the play of the body, persists. The endeavor of education is not to crush but to control it.
Imagination, used here in the sense of random mental activity, may be controlled in two ways, both significant for human welfare. ”

“ The sciences satisfy us not only in that they bring order into what at first seems the chaos of our surroundings, but in that they are themselves beautiful in their spaciousness and their simplicity. We cannot pause here to consider the physiological facts which make us admire symmetry, but it is fundamental in our appreciation of music, poetry, and the plastic arts. From the sciences, likewise, we derive the satisfaction of symmetry on a magnificent scale. There is beauty as of a great symphony in the sweep and movement of the solar system. ”

“ When the life of man lay foul to see and grovelling upon the earth, crushed by the weight of religion, which showed her face from the realms of heaven, lowering upon mortals with dreadful mien, 't was a man of Greece who dared first to raise his mortal eyes to meet her, and first to stand forth to meet her; him neither the stories of the gods nor thunderbolts checked, nor the sky with its revengeful roar, but all the more spurred the eager daring of his mind to yearn to be the first to burst through the close-set bolts upon the doors of nature. ”

“ Science, in its earliest forms hardly distinguishable from religion, is man's persistent attempt to discover the nature of things, and to exploit that discovery for his own good. Art is again an instance of man's march toward mastery. Beginning, in the broadest sense, in the industrial arts, in agriculture and handicrafts, it passes, as it were by accident, from the necessary to the beautiful. Having in his needful business fortuitously created beautiful objects, man comes to create them intentionally, both for their own sake and for the sheer pleasure of creation. ”

“ Where interest is centered on a world to come, there not infrequently results a loss of interest and discrimination in the goods of earthly life. "For what shall it profit a man if he shall gain the whole world and lose his own soul?" The beauties, goods, and distinctions of this world coalesce into an indiscriminate triviality in comparison with that infinite glory hereafter to be attained. One does not trouble one's self about the furniture of earthly life any more than one would take pains with the beautification of a room in which one happens to be lodged for a night. ”

“ And in much that has been recently said about protoplasm and life, we have the outgoings of the imagination guided and controlled by the known analogies of science. In fact, without this power, our knowledge of Nature would be a mere tabulation of coexistences and sequences. We should still believe in the succession of day and night, of summer and winter; but the soul of Force would be dislodged from our universe; causal relations would disappear, and with them that science which is now binding the parts of nature into an organic whole. ”