The carnation, a heraldic tincture representing a pale pinkish-orange shade resembling human skin, plays a specialized but important part in European heraldry, especially in France, where it commonly appears in coats of arms. Although uncommon in Anglophone heraldic traditions, it has been used to illustrate flesh tones and general pink hues in crests, as seen in the heraldic symbols of organizations such as the Worshipful Company of Saddlers.
In literature, the term extends beyond heraldic symbolism, appearing in a variety of contexts: Edith Wharton evokes its sensory presence in a summer garden, while Andrew Murray employs it metaphorically to critique earthly existence. William Le Queux, on the other hand, grounds it in vivid natural imagery. These differing uses highlight the carnation’s dual function as both a visual symbol and a thematic element, connecting the tangible and the symbolic across various fields.