Summary

Portrait of Ben Hecht Ben Hecht The Florentine Dagger: A Novel for Amateur Detectives

No murderer lurked within him. He laughed again at the naïveté of his logic.
“For if it was I who murdered poor Ballau, it was not I who came into this room last night and tried to murder Julien De Medici. And since those two figures are one and the same, selah! I am innocent. What a sick, mad suspicion it was!”
He shuddered at the memory of the secret that had lived like a specter in his soul since the night of the tragedy. An illusionary secret! For here he lay the victim of an attack identical to the one that had ended Ballau. The candlestick, the crucifix, the dagger thrust.
Source: Gutenberg

Portrait of Ben Hecht Ben Hecht The Florentine Dagger: A Novel for Amateur Detectives

The creature in my bedroom, the creature that tried to murder me and that left a candle burning at my head and a crucifix on my chest, was not Florence. No, this creature was Julien De Medici. A crafty and insatiable maniac engaged in fooling himself. God, what a notion! Yet if there is another self to me, how easy and natural. This becomes almost too ludicrous to be mania. But why not? A heroic effort to establish an alibi in my own eyes. Rather clever, in a way. I see visions. I see the lady of the dagger. And I attack myself somewhat carefully but convincingly.
Source: Gutenberg

Portrait of Ben Hecht Ben Hecht The Florentine Dagger: A Novel for Amateur Detectives

De Medici mused. “Meyerson stages it well. The drama of mystery lends a tantalizing value to the objects under his hammer. The talk is low-pitched. Eyes glance furtively around. Yes, this is the sort of thing that appeals to the normal imagination. Melodrama—the melodrama of externals. They look and see a conventional room, conventional walls, drapes and ceiling. Commonplace things in an uncommonplace light ... the familiar decks in a lurid symbolism. And they thrill at the thought that murder and mystery lurk behind the uninteresting masks of convention.
Source: Gutenberg

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