Summary

Bernard Capes Bag and Baggage — A Double Pretender (1913)

Such is the perversity of wickedness. The innocent trembles to a false charge: the guilty stiffens to a true one.
Midday struck—no Prince. Five, ten, fifteen minutes passed, and the suspense grew intolerable. Then did Miss Pitcher, verging on tears, admit how she had always had her doubts of the reliability of Doctor King, in whose house, in Red Lyon Square hard by, the exalted visitor, as she now confessed, was sojourning. Miss Nancy, making a furious mental note of the fact, wondered only if she had somehow been betrayed to this man.
Source: Wikisource

Bernard Capes Bag and Baggage — A Double Pretender (1913)

But her bloom survived, despite Miss Pitcher's efforts to depreciate it; it survived—in china complexion, seal-like eyes, and gold-umber tresses, of which no spite could discrown her—by reason, perhaps, of a spirit which was as much its inspiration as its defence. Nancy, in short, was as fearless as she was pretty, and as wideawake as she was patient.
It was this young lady's duty to chaperon the boarders (implying thereby her "plain" fitness for the task) in their daily ordered perambulations about the Gardens
Source: Wikisource

Bernard Capes Bag and Baggage — A Double Pretender (1913)

It must be admitted, in some defence of Miss Pitcher's treatment of her, that Miss Nancy was quite reprehensibly pretty—pretty in a way which, to a certain acid order of intelligence, is a necessary moral disqualification. For it is a feminine instinct to associate ugliness with respectability, and to be suspicious of "looks," which are never other than "mere" in Mrs. Grundy's category of the graces. Hence, with women, the grotesque fashions most prevail, while the becoming are soon discarded.
Source: Wikisource

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