Booth Tarkington

Booth Tarkington

Summary

Portrait of Booth Tarkington Booth Tarkington,  Seventeen

“ Parting is the most dramatic moment in young love, and if there is one time when the lover wishes to present a lofty but graceful appearance it is at the last. To leave with the loved one, for recollection, a final picture of manly dignity in sorrow—that, above all things, is the lover's desire. And yet, even at the beginning of William's two-hundred-foot advance (later so much discussed) he felt the heat surging over his ears, and, as he took off his hat, thinking to wave it jauntily in reply to Miss Parcher, he made but an uncertain gesture of it, so that he wished he had not tried it. ”
Source: Gutenberg

Portrait of Booth Tarkington Booth Tarkington,  Seventeen

“ It is the time of life when one finds it unendurable not to seem perfect in all outward matters: in worldly position, in the equipments of wealth, in family, and in the grace, elegance, and dignity of all appearances in public. And yet the youth is continually betrayed by the child still intermittently insistent within him, and by the child which undiplomatic people too often assume him to be. Thus with William's attire: he could ill have borne any suggestion that it was not of the mode, but taking care of it was a different matter. ”
Source: Gutenberg

Portrait of Booth Tarkington Booth Tarkington,  Seventeen

“ On a warm morning, ten days later, William stood pensively among his mother's flowerbeds behind the house, his attitude denoting a low state of vitality. Not far away, an aged negro sat upon a wheelbarrow in the hot sun, tremulously yet skilfully whittling a piece of wood into the shape of a boat, labor more to his taste, evidently, than that which he had abandoned at the request of Jane. Allusion to this preference for a lighter task was made by Genesis, who was erecting a trellis on the border of the little garden. ”
Source: Gutenberg

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