Booth Tarkington

Booth Tarkington

Summary

Portrait of Booth Tarkington Booth Tarkington The Old Gray Eagle (1901)

Martin, it does one good to realize that our country towns are sending representatives to us when we have such things; that they wish to get in touch with what is greatest in Art. They should do it often. To think that a journey of only seventy miles brings into your life the magnificence of Rostand's point of view made living fire by the genius of a Bernhardt and a Coquelin!”
“Yes,” said Mr. Martin, with a curious helplessness, after an ensuing pause which I refused to break, “yes, sir, they seemed to be doing it about as well as they could.”
Source: Wikisource

Portrait of Booth Tarkington Booth Tarkington The Old Gray Eagle (1901)

Fiderson passed his hand through his hair. “That death scene!” he exclaimed at me, giving Martin up as a log accidentally rolled in from the country. “I thought that after 'Wagram' I could feel nothing more; emotion was exhausted; but that magnificent death! It was tragedy made ecstatic; pathos made into music; the grandeur of a gentle spirit, conquered physically but morally unconquerable! Goethe's 'More Light' outshone!”
Old Tom's eyes followed the smoke of his perplexing cigar along its heavy strata in the still air of the room, as he inquired if I remembered Orlando T. Bickner's boy Mel.
Source: Wikisource

Portrait of Booth Tarkington Booth Tarkington The Old Gray Eagle (1901)

Old Peter himself couldn't keep straight along one subject if he tackled a cigar like this. Well, sir, I always thought Mel had a mighty mean time of it. He had to take care of his mother and two sisters, his little brother, and an aunt that lived with them; and there was mighty little to do it on; big men don't usually leave much but debts, and in this country, of course, a man can't eat and spend long on his paw's reputation, like that little Dook of Reicshstod——”
“I beg to tell you, Mr. Martin—” Fiderson began hotly.
Source: Wikisource

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