Bradford Torrey

Bradford Torrey

Summary

Portrait of Bradford Torrey Bradford Torrey A world of green hills (1898)

Yes, and the same buzzard floated overhead and dropped the same moving shadow upon the hillside. Now a prairie warbler sang or a hyla peeped, but mostly the air was silent, except for the murmur of pine needles and the faint rustling of dry oak leaves. And all around me stood the hills, the nearest of them, to-day, blue with haze.
For a while I went farther up the slope, to a spot where I could look through a break in the circle and out upon the world. In one direction were green fields and blossoming apple-trees, and beyond them, of course, a wilderness of mountains.
Source: Gutenberg

Portrait of Bradford Torrey Bradford Torrey A world of green hills (1898)

In a treetop behind me a cerulean warbler had been singing, but flew away as I turned about. My only sight of him was on the wing, a mere speck in the air. Afterward a parula gave out his tune, running the notes straight upward and snapping them off at the end in whiplash fashion, as much as to say, “Now see if you can tell the difference.” And then, just as I was ready to leave the grove, stepping along a footpath through a bramble patch, I descried almost at my feet a warbler,—a female by her look and demeanor, and a stranger; blue and white, with dark streakings along the sides.
Source: Gutenberg

Portrait of Bradford Torrey Bradford Torrey A world of green hills (1898)

Why should I go farther? I could never be farther from the world, nor was I likely to find anywhere a more inviting spot; and so, climbing the stony hillside, over beds of trailing arbutus bloom and past bunches of birdfoot violets, I sat down in the sun, on a cushion of long, dry grass.
The gentlest of zephyrs was stirring, the very breath of spring, soft and of a delicious temperature. My New England cheeks, winter-crusted and still half benumbed, felt it only in intermittent puffs, but the pine leaves, more sensitive, kept up a continuous murmur.
Source: Gutenberg

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