Bret Harte

Bret Harte

Summary

Portrait of Bret Harte Bret Harte An Episode of Fiddletown (1873)

Tretherick was still poetically sensitive. As the gray fog deepened into night, she drew Carry closer toward her, and, above the prattle of the child, pursued a vein of sentimental and egotistic recollection at once bitter and dangerous. The sudden apparition of Ah Fe linked her again with her past life at Fiddletown. Over the dreary interval between, she was now wandering—a journey so piteous, willful, thorny, and useless that it was no wonder that at last Carry stopped suddenly in the midst of her voluble confidences to throw her small arms around the woman's neck, and bid her not to cry.
Source: Wikisource

Portrait of Bret Harte Bret Harte An Episode of Fiddletown (1873)

In 1858 Fiddletown considered her a very pretty woman. She had a quantity of light chestnut hair, a good figure, a dazzling complexion, and a certain languid grace which passed easily for gentlewomanliness. She always dressed becomingly, and in what Fiddletown accepted as the latest fashion. She had only two blemishes: one of her velvety eyes, when examined closely, had a slight cast; and her left cheek bore a small scar left by a single drop of vitriol—happily the only drop of an entire phial—thrown upon her by one of her own jealous sex, that reached the pretty face it was intended to mar.
Source: Wikisource

Portrait of Bret Harte Bret Harte An Episode of Fiddletown (1873)

Tretherick, in her then state of mind, preferred to dwell upon the fact that she might be there. She was dimly conscious, also, of a certain satisfaction in exaggerating her feelings. Surely no woman had ever been so shamefully abused. In fancy, she sketched a picture of herself sitting alone and deserted, at sunset, among the fallen columns of a ruined temple,—in a melancholy yet graceful attitude, while her husband drove rapidly away in a luxurious coach and four with a red-haired woman at his side.
Source: Wikisource

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