Summary

Portrait of Bret Harte Bret Harte Our American Holidays - Christmas (1949)

In that brief interval, by some fantastic mental process, the little room at Simpson's Bar and the figures of the sleeping father and son rose upon him. He opened his eyes wildly, cast off his coat, pistol, boots, and saddle, bound his precious pack tightly to his shoulders, grasped the bare flanks of Jovita with his bared knees, and with a shout dashed into the yellow water. A cry arose from the opposite bank as the head of a man and horse struggled for a few moments against the battling current, and then were swept away amidst uprooted trees and whirling driftwood.
Source: Wikisource

Portrait of Bret Harte Bret Harte Our American Holidays - Christmas (1949)

There was a leap, a scrambling, a bound, a wild retreat of the crowd, a circle of flying hoofs, two springless leaps that jarred the earth, a rapid play and jingle of spurs, a plunge, and then the voice of Dick somewhere in the darkness. "All right!"
"Don't take the lower road back onless you're pushed hard for time! Don't hold her in down hill. We'll be at the ford at five. G'lang! Hoopa! Mula! GO!"
A splash, a spark struck from the ledge in the road, a clatter in the rocky cut beyond, and Dick was gone.
Source: Wikisource

Portrait of Bret Harte Bret Harte Our American Holidays - Christmas (1949)

The Old Man caught at his sinking figure. "Tell him," said Dick, with a weak little laugh,—"tell him Sandy Claus has come."
And even so, bedraggled, ragged, unshaven and unshorn, with one arm hanging helplessly at his side. Santa Claus came to Simpson’s Bar, and fell fainting on the first threshold. The Christmas dawn came slowly after, touching the remoter peaks with the rosy warmth of ineffable love. And it looked so tenderly on Simpson’s Bar that the whole mountain, as if caught in a generous action, blushed to the skies.
Source: Wikisource

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