C. S. Montanye

Summary

C. S. Montanye Told in Glass (1920)

He took a few steps toward the door, returned and picked up the seventy-five cents Big Harry Westley had laid on the table. He shoved it into his pocket, deciding he needed it more than the waiter.
Slouching out of the club, he descended the front steps and stepped onto the cracked pavement of Christopher Square. The late September afternoon was dying in a conflagration of sunset fire. The sky was brazen with raw scarlet, amethyst and silver-and-purple. Lights were winking in the waterfront rigging, a block distant. The river was boisterous with the voice of sirens and the shrill of whistles.
Source: Wikisource

C. S. Montanye Told in Glass (1920)

Music still seeped out from the club. No loiterer shuffled through the shadows. He descended the areaway stairs. The door he had opened earlier in the evening confronted him. Quick inspection told Blumfeld it was locked and bolted on the inside in such a way as to make forcing it impossible. He muttered a curse and crept down the areaway. He climbed a fence and dropped down into an alley that fringed the building. He came upon the single window of the shop and drew a breath of satisfaction when he found the top pane was lowered an inch or two.
Source: Wikisource

C. S. Montanye Told in Glass (1920)

He lived in the rear of the store and the Square knew him as an inventor. It did not know what he invented, but it was accustomed to seeing a light in the store at all hours. If one looked down into the black areaway they could see the old man at work among his tools, his ragged gray beard drooping over his bench.
One day Christopher Square hummed with news concerning Old Man Johnson.
Big Harry Westley, the King of Con Men, discussed the news with Lefty Blumfeld, alias Morrison Taylor, over a table in the front room of the West Side Social Club, located at the end of the Square.
Source: Wikisource

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