Catharine Maria Sedgwick

Catharine Maria Sedgwick

Summary

Portrait of Catharine Maria Sedgwick Catharine Maria Sedgwick Letters from Abroad to Kindred at Home… (1841)

So the good goes with the bad. It is a pity we have not a moral flail; but, as of old, the tares and the wheat are too intricately intermingled for human art to separate them. I promised to spare you the churches of Cologne, but I cannot pass by the Cathedral. It would be as bad as the proverbial leaving out Hamlet from the enacting of his own tragedy. The Cologne Cathedral is not, and probably never will be, finished. It impressed me anew with a conviction of the immortality of the human mind.
Source: Wikisource

Portrait of Catharine Maria Sedgwick Catharine Maria Sedgwick Letters from Abroad to Kindred at Home… (1841)

Victor Hugo says that, at one period, whoever was born a poet became an architect; that all other arts were subservient to architecture, all other artists the servants of the architect, "the great master workman.'" [2]
I do not know that the ideas which he has so well elaborated originated in his own mind, nor can I tell whether this wondrous art would have suggested the idea to my mind without his previous aid. We see by the bright illumination of another's mind what the feeble light of our own would never reveal
Source: Wikisource

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