Charles C. Nott

Charles C. Nott

Summary

Portrait of Charles C. Nott Charles C. Nott Sketches of the War

A couple of miles beyond the picket guard, the road descends into a dreary swamp. It seems too dreary for any creature to live in; bushes and trees have died, and the tall, spectral trunks stand, like ghosts of a departed forest. Deep holes and fallen trees had made the crossing no easy task in daytime, and I now approached it with some misgivings, and many wishes that we were well over.
Tennessee led bravely down the bank, on a trot, crossing the rickety bridge and plunging into the submerged road, without abating his speed. Here Bischoff fell behind.
Source: Gutenberg

Portrait of Charles C. Nott Charles C. Nott Sketches of the War

When I am riding alone, Gipsy generally does pretty much as she pleases—now trotting, now cantering, now dashing up hill on a gallop, her ears always pricked up, and her bright eyes examining every object on the road. When we come suddenly out of the woods upon a fine prospect, Gipsy stops and looks it over, with as much interest as though she were a landscape painter. If we come to a narrow stream, Gipsy (who greatly dislikes to wet her feet) stops again, looks deliberately up and down, selects the narrowest place, and then, without asking anybody's leave, proceeds there and bounds over.
Source: Gutenberg

Portrait of Charles C. Nott Charles C. Nott Sketches of the War

Her front is white with foam, and every look shows that she deems the head of the column her proper place. Whenever any horse has come within a respectful distance, Gipsy's heels have flown higher than his head, admonishing him, that whatever happens, she must be first. But the road, which has followed the bank, now crosses the brook. There is no friendly bridge to lift us over—the road leads down the bank, straight into the water. That water is wider than Sixth Avenue, and the recent rain has made it a roaring torrent—no one knows how deep, and it splashes and dashes fearfully.
Source: Gutenberg

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