Charles Dickens

Charles Dickens

Summary

Portrait of Charles Dickens Charles Dickens A Tale of Two Cities (1859)

Now, from the days when it was always summer in Eden, to these days when it is mostly winter in fallen latitudes, the world of a man has invariably gone one way—Charles Darnay's way—the way of the love of a woman.
He had loved Lucie Manette from the hour of his danger. He had never heard a sound so sweet and dear as the sound of her compassionate voice; he had never seen a face so tenderly beautiful, as hers when it was confronted with his own on the edge of the grave that had been dug for him.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens A Tale of Two Cities

All these trivial incidents belonged to the routine of life, and the return of morning. Surely, not so the ringing of the great bell of the chateau, nor the running up and down the stairs; nor the hurried figures on the terrace; nor the booting and tramping here and there and everywhere, nor the quick saddling of horses and riding away?
What winds conveyed this hurry to the grizzled mender of roads, already at work on the hill-top beyond the village, with his day’s dinner (not much to carry) lying in a bundle that it was worth no crow’s while to peck at, on a heap of stones?
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens A Tale of Two Cities (1859)

It was high noontide, when two dusty men passed through his streets and under his swinging lamps: of whom, one was Monsieur Defarge: the other a mender of roads in a blue cap. All adust and athirst, the two entered the wine-shop. Their arrival had lighted a kind of fire in the breast of Saint Antoine, fast spreading as they came along, which stirred and flickered in flames of faces at most doors and windows. Yet, no one had followed them, and no man spoke when they entered the wine-shop, though the eyes of every man there were turned upon them.
Source: Gutenberg

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