Summary

Portrait of Charles Dickens Charles Dickens Bleak House — Chapter XXXIII: Interlopers (1852)

And she rings for Mercury to show the young man of the name of Guppy out.
But in that house, in that same moment, there happens to be an old man of the name of Tulkinghorn. And that old man, coming with his quiet footstep to the library, has his hand at that moment on the handle of the door—comes in—and comes face to face with the young man as he is leaving the room.
One glance between the old man and the lady, and for an instant the blind that is always down flies up. Suspicion, eager and sharp, looks out.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Bleak House — Chapter XXXIII: Interlopers (1852)

The whole court, adult as well as boy, is sleepless for that night, and can do nothing but wrap up its many heads, and talk of the ill- fated house, and look at it. Miss Flite has been bravely rescued from her chamber, as if it were in flames, and accommodated with a bed at the Sol’s Arms. The Sol neither turns off its gas nor shuts its door all night, for any kind of public excitement makes good for the Sol and causes the court to stand in need of comfort. The house has not done so much in the stomachic article of cloves or in brandy-and-water warm since the inquest.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Bleak House — Chapter XXXIII: Interlopers (1852)

Over and above the faces that have fallen drowsily on tables and the heels that lie prone on hard floors instead of beds, the brick and mortar physiognomy of the very court itself looks worn and jaded. And now the neighbourhood, waking up and beginning to hear of what has happened, comes streaming in, half dressed, to ask questions; and the two policemen and the helmet (who are far less impressible externally than the court) have enough to do to keep the door.
“Good gracious, gentlemen!” says Mr. Snagsby, coming up.
Source: Wikisource

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