Charles Dickens

Charles Dickens

Summary

Portrait of Charles Dickens Charles Dickens Dombey and Son

He turned on Florence, as if it were she who had spoken, and bade her leave the room. Florence with her covered face obeyed, trembling and weeping as she went.
“I understand, Madam,” said Mr Dombey, with an angry flush of triumph, “the spirit of opposition that turned your affections in that channel, but they have been met, Mrs Dombey; they have been met, and turned back!”
“The worse for you!” she answered, with her voice and manner still unchanged. “Ay!” for he turned sharply when she said so, “what is the worse for me, is twenty million times the worse for you.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Dombey and Son (1848)

Dombey, "I have laid no commands on Florence; and if I had, there are no commands like your wish."
"My dear Dombey," replied Cleopatra, "what a courtier you are! Though I ’ll not say so, either; for courtiers have no heart, and yours pervades your farming life and character. And are you really going so early, my dear Dombey!"
Oh, indeed! it was late, and Mr. Dombey feared he must.
"Is this a fact, or is it all a dream!" lisped Cleopatra. "Can I believe, my dearest Dombey, that you are coming back tomorrow morning to deprive me of my sweet companion; my own Edith!"
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Dombey and Son (1846)

But Miss Tox is not a part of Mr Dombey’s world. She comes back every evening at dusk; adding clogs and an umbrella to the bonnet on wet nights; and bears the grins of Towlinson, and the huffs and rebuffs of Mrs Pipchin, and all to ask how he does, and how he bears his misfortune: but she has nothing to do with Mr Dombey’s world. Exacting and harassing as ever, it goes on without her; and she, a by no means bright or particular star, moves in her little orbit in the corner of another system, and knows it quite well, and comes, and cries, and goes away, and is satisfied.
Source: Gutenberg

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