Summary

Portrait of Charles Dickens Charles Dickens Personal History of David Copperfield… (1850)

The flute becomes inaudible, the wheels of the coach are heard instead, and I am on my journey. The coach jolts, I wake with a start, and the flute has come back again, and the Master at Salem House is sitting with his legs crossed, playing it dolefully, while the old woman of the house looks on delighted. She fades in her turn, and he fades, and all fades, and there is no flute, no Master, no Salem House, no David Copperfield, no anything but heavy sleep.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Personal History of David Copperfield… (1850)

Sometimes, I remember, I resigned myself to thoughts of home and Peggotty; and to endeavouring, in a confused blind way, to recall how I had felt, and what sort of boy I used to be, before I bit Mr. Murdstone: which I couldn't satisfy myself about by any means, I seemed to have bitten him in such a remote antiquity.
The night was not so pleasant as the evening, for it got chilly; and being put between two gentlemen (the rough-faced one and another) to prevent my tumbling off the coach, I was nearly smothered by their falling asleep, and completely blocking me up.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Personal History of David Copperfield… (1850)

The waiter certainly got most. He entreated me more than once to come in and win, but what with his table-spoon to my tea-spoon, his dispatch to my dispatch, and his appetite to my appetite, I was left far behind at the first mouthful, and had no chance with him. I never saw any one enjoy a pudding so much, I think; and he laughed, when it was all gone, as if his enjoyment of it lasted still.
Finding him so very friendly and companionable, it was then that I asked for the pen and ink and paper, to write to Peggotty.
Source: Wikisource

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