Summary

Portrait of Charles Dickens Charles Dickens Sketches by Boz — The misplaced attachment of Mr… (1836)

The next morning, John Dounce was rather feverish with the extra brandy-and-water of the previous night; and, partly in the hope of cooling himself with an oyster, and partly with the view of ascertaining whether he owed the young lady anything, or not, went back to the oyster-shop. If the young lady had appeared beautiful by night, she was perfectly irresistible by day
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Sketches by Boz — The misplaced attachment of Mr… (1836)

Upon a general review of the subject, and without considering it minutely in detail, we should be disposed to subdivide the old boys into two distinct classes—the gay old boys, and the steady old boys. The gay old boys, are paunchy old men in the disguise of young ones, who frequent the Quadrant and Regent-street in the day-time: the theatres (especially theatres under lady management) at night; and who assume all the foppishness and levity of boys, without the excuse of youth or inexperience.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Sketches by Boz — The misplaced attachment of Mr… (1836)

Dounce, after brushing up his hair, and adjusting his neckerchief, would inspect the aforesaid Lady So-and-So through an immense glass, and remark, either, that she was a ‘fine woman—very fine woman, indeed,’ or that ‘there might be a little more of her, eh, Jones?’ Just as the case might happen to be. When the dancing began, John Dounce and the other old boys were particularly anxious to see what was going forward on the stage, and Jones—wicked dog that Jones—whispered little critical remarks into the ears of John Dounce, which John Dounce retailed to Mr. Harris and Mr. Harris to Mr. Jennings
Source: Wikisource

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