Charles Godfrey Leland

Charles Godfrey Leland

Summary

Portrait of Charles Godfrey Leland Charles Godfrey Leland Aradia, or the Gospel of the Witches… (1899)

But if it has lost its glamour absolutely, it is second-rate or inferior; for the best cannot be made out of mere words varnished with associations, be they of thought or feeling.
This is not such a far cry from the subject as might be deemed. Reading and feeling them subjectively, I am often struck by the fact that in these witch traditions which I have gathered there is a wondrous poetry of thought, which far excels the efforts of many modern bards, and which only requires the aid of some clever workman in words to assume the highest rank.
Source: Wikisource

Portrait of Charles Godfrey Leland Charles Godfrey Leland Aradia, or the Gospel of the Witches… (1899)

And here it is worth while, despite digression, to remark what an immense majority there are of people who can perceive, feel, and value poetry in mere words or form--that is to say, objectively--and hardly know or note it when it is presented subjectively or as thought, but not put into some kind of verse or measure, or regulated form.
Source: Wikisource

Portrait of Charles Godfrey Leland Charles Godfrey Leland Aradia, or the Gospel of the Witches… (1899)

Great license is allowed to painters and poets, but when they take a subject, especially a deep tradition, and fail to perceive its real meaning or catch its point, and simply give us something very pretty, but not so inspired with meaning as the original, it can hardly be claimed that they have done their work as it might, or, in fact, should have been done. I find that this fault does not occur in the Italian or Tuscan witch-versions of the ancient fables; on the contrary, they keenly appreciate, and even expand, the antique spirit.
Source: Wikisource

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