Charles John Holmes

Summary

Charles John Holmes,  Constable — Introduction (1901)

“ To accuse him of want of veneration for Nature is even more absurdly false, and may be best answered in Constable's own words. In the course of the last of his lectures on Landscape, delivered the year before his death, he says: "The young painter who, regardless of present popularity, would leave a name behind him, must become the patient pupil of Nature.... The landscape painter must walk in the fields with a humble mind. No arrogant man was ever permitted to see Nature in all her beauty. ”
Source: Wikisource

Charles John Holmes,  Constable — Introduction (1901)

“ In a short abstract such as this it is impossible to give a fair impression of the painter's character, of the simplicity and earnestness of his nature, of the kindness of his heart, and the sense of humour which together served to gain the affection of those with whom he came in contact, even more than his enthusiasm for his art, and the patience, originality, and skill with which he practised it. In Leslie's delightful pages Constable the man is revealed as clearly as Constable the painter, and it is difficult to say which of the two is the more attractive. ”
Source: Wikisource

Charles John Holmes,  Constable — Introduction (1901)

“ As a young man Constable certainly may not have been rich, but he was never reduced to any desperate straits, and later by various bequests inherited nearly £30,000. If his art was too original to command the ready sale which attends the commercial painter who has learned to paint down to the level of the public, he was at least admired and respected by a fair number of his brother-artists, he was a regular exhibitor at the Academy, and his success on the Continent was sufficiently spontaneous and remarkable to have satisfied any ambition. ”
Source: Wikisource

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