Charles Kingsley

Charles Kingsley

Hypatia/6 (1853)

Summary

Portrait of Charles Kingsley Charles Kingsley,  Hypatia/6 (1853)

“ But unmoved amid the roaring sea of plunderers and plundered, stood, scattered up and down, Cyril's spiritual police, enforcing, by a word, an obedience which the Roman soldiers could only have compelled by hard blows of the spear-butt. There was to be no outrage, and no outrage there was: and more than once some man in priestly robes hurried through the crowd, leading by the hand, tenderly enough, a lost child in search of its parents.
Raphael stood watching silently, while Miriam, who had followed him upstairs, paced the room in an ecstasy of rage, calling vainly to him to speak or act.
”
Source: Wikisource

Portrait of Charles Kingsley Charles Kingsley,  Hypatia/6 (1853)

“ Miriam looked at him, her large black eyes widening and kindling. For an instant she felt for her poniard—and then burst into an agony of tears, hid her face in her withered hands, and rushed from the room, as a crash and shout below announced the bursting of the door.
'There she goes with my jewels. And here come my guests, with the young monk at their head.—One rising when the other sets. A worthy pair of Dioscuri! Come, Bran! . . . . Boys! Slaves! Where are you? Steal every one what he can lay his hands on, and run for your lives through the back gate.'
The slaves had obeyed him already.
”
Source: Wikisource

Portrait of Charles Kingsley Charles Kingsley,  Hypatia/6 (1853)

“ What could a poor human being do more than try to marry her to some one else, in hopes of sickening himself of the whole matter? Well, every moth has its candle, and every man his destiny. But the daring of the little fool! What huge imaginations she has! She might be another Zenobia, now, with Orestes as Odenatus, and Raphael Aben-Ezra to play the part of Longinus. ”
Source: Wikisource

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