Summary

Charles Squire The Mythology of Ancient Britain and Ireland (1909)

Perhaps the finer qualities of Celtic romance made especial appeal to that new fashion of 'chivalry' which was growing up under the fosterage of poetry and romance by noble ladies. At any rate the Matière de Bretagne, as the stories of the British gods and heroes, and especially of Arthur, were called, came to be the leading source of poetic inspiration on the Continent. The whole vast Arthurian literature has its origin in British Celtic mythology.
Source: Wikisource

Charles Squire The Mythology of Ancient Britain and Ireland (1909)

It still retains in essence the qualities of the cauldron of the Chief of Annwn.' The savage cooking-pot which would refuse to serve a coward or perjuror with food, has been only refined, not altered, in becoming the heavenly vessel which could not be seen by sinners, while the older idea is still retained in the account of how, when it appeared, it filled the hall with sweet savours, while every knight saw before him on the table the food he loved best. Like its pagan prototype, it cured wounds and sickness, and no one could grow old while in its presence.
Source: Wikisource

Charles Squire The Mythology of Ancient Britain and Ireland (1909)

It matters less, as it is not the core and centre of the Arthurian legend. What has given the cycle its enduring interest, as testified by its attraction for author, artist, and composer down to the present day, is not the somewhat commonplace love of Lancelot and the Queen, but the mystical quest of the Holy Grail. And here we can clearly trace the direct evolution of the Arthurian legend from the myths of the Celts. [4]
Both in Gaelic and British mythology, prominence is given to a cauldron which has wondrous talismanic virtues.
Source: Wikisource

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