Summary

1911 Encyclopædia Britannica, Volume 18… (1911)

The typical mermaid has the head and body of a woman, usually of exceeding loveliness, but below the waist is fashioned like a fish with scales and fins. Her hair is long and beautiful, and she is often represented, like the Russian rusalka, as combing it with one hand while in the other she holds a looking-glass. For a time at least a mermaid may become to all appearance an ordinary human being; and an Irish legend (“The Overflowing of Lough Neagh and Liban the Mermaid,” in Joyce’s Old Celtic Romances) represents the temporary transformation of a human being into a mermaid.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 18… (1911)

A mermaid falls in love with a human being, lives with him as his lawful wife for a time, and then, some compact being unwittingly or intentionally broken by him, departs to her true home in the sea. Here, if its mermaid form be accepted, the typical legend is undoubtedly that of Mélusine (q.v.) , which, being made the subject of a romance by Jean d’Arras, became one of the most popular folk-books of Europe, appearing in Spanish, German, Dutch and Bohemian versions. (e) A mermaid falls in love with a man, and entices him to go to live with her below the sea
Source: Wikisource

1911 Encyclopædia Britannica, Volume 18… (1911)

In relation to man the mermaid is usually of evil issue if not of evil intent. She has generally to be bribed or compelled to utter her prophecy or bestow her gifts, and whether as wife or paramour she brings disaster in her train. The fish-tail, which in popular fancy forms the characteristic feature of the mermaid, is really of secondary importance; for the true Teutonic mermaid—probably a remnant of the great cult of the Vanir—had no fish-tail
Source: Wikisource

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