Charles W. Chesnutt

Charles W. Chesnutt

Summary

Portrait of Charles W. Chesnutt Charles W. Chesnutt The House Behind the Cedars — XXIII (1900)

Upon a close or hostile inspection there
would have been some features of his ostensibly
good-natured face--the shifty eye, the full and
slightly drooping lower lip--which might have
given a student of physiognomy food for reflection.
But whatever the latent defects of Wain's character,
he proved himself this evening a model of
geniality, presuming not at all upon his reputed
wealth, but winning golden opinions from those
who came to criticise, of whom, of course, there
were a few, the company being composed of human
beings.
Source: Wikisource

Portrait of Charles W. Chesnutt Charles W. Chesnutt The House Behind the Cedars — XXIII (1900)

He might never hope that
she would see in him anything but a friend; but
he loved her, and he would watch over her and
protect her, wherever she might be. He did not
believe that she would ever marry the grinning
hypocrite masquerading back there in Mis' Molly's
parlor; but the man would bear watching.
Mis' Molly had come to call her daughter into
the house. "Rena," she said, "Mr. Wain wants
ter know if you won't dance just one dance with
him."
"Yas, Rena," pleaded Mary B., who followed
Miss Molly out to the piazza, "jes' one dance.
Source: Wikisource

Portrait of Charles W. Chesnutt Charles W. Chesnutt The House Behind the Cedars — XXIII (1900)

Others bore unmistakable traces
of Indian ancestry,--for Cherokee and Tuscarora
blood was quite widely diffused among the free
negroes of North Carolina, though well-nigh lost
sight of by the curious custom of the white people
to ignore anything but the negro blood in those
who were touched by its potent current. Very few
of those present had been slaves. The free colored
people of Patesville were numerous enough before
the war to have their own "society," and human
enough to despise those who did not possess
advantages equal to their own
Source: Wikisource

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