Charlotte Bryson Taylor

Summary

Charlotte Bryson Taylor In the Dwellings of the Wilderness (1904)

Merritt the hardheaded, Merritt the practical, who would sneer at sentimentality, to rhapsodise thus? Deane knew that it is precisely the man most reserved and self-contained, who, when he speaks at all, will go to greater lengths even than the habitually confiding, and lay bare the deep, shy heart of him to its very roots. Deane also knew that when this rare mood fastens on such an one it is to be marvelled at and its tale held sacred; for always it will mark some crisis in the man's life, the outward sign of a stress which perhaps none but himself may know.
Source: Wikisource

Charlotte Bryson Taylor In the Dwellings of the Wilderness (1904)

Then a shout of men's voices struck his ears, close beside him; the air of the-passage, pure and cool as heaven's own after the suffocation of the tomb, flooded him like a dash of cold water, infinitely grateful. He straightened himself, smiling vacantly, as Merritt and Holloway came towards him, and dropped in a heap just inside the threshold.
They carried him away with profane expressions of sympathy, and he raved half-consciously of dead things that watched him with living eyes; of flowers whose essence could drag a man's soul to the torments of the damned
Source: Wikisource

Charlotte Bryson Taylor In the Dwellings of the Wilderness (1904)

Deane knew that imagination is a terribly real factor in certain crises of life, let it but get its grip upon its victim. And Holloway ... at the thought that he might be following in the footsteps of those other two, vanished utterly from the face of the earth, Deane started up to pace the camp in an agony of restlessness.
Ibraheem, scorching himself before the fire in devoted tendance of a covered dish containing dainties saved from supper for the return of Holloway, whom he loved, looked up at Deane's sudden motion.
"Ne master have send out more man," he said mournfully.
Source: Wikisource

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