Summary

Portrait of Sax Rohmer Sax Rohmer It Came Out of Egypt — The Bats of Meydum (1923)

Fear lends wings, and it was with something like the lightness of a bird that Sime descended the shaft.
“On to my shoulders!” he cried, when he reached the bottom.
Dr. Cairn lowered himself to the foot of the shaft.
“You go first,” he said.
He was gasping, as if nearly suffocated, but he retained a wonderful self-control. Once over into the borderland, and bravery assumes a new guise. The courage which can face physical danger undaunted, melts in the fires of the unknown.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer It Came Out of Egypt — The Bats of Meydum (1923)

Sime stared at him.
“I don't understand—”
“I have a mission,” said Dr. Cairn quietly. “It is to run to earth, to stamp out, as I would stamp out a pestilence, a certain thing—I cannot call it a man—Antony Ferrara. I believe, Sime, that you are at one with me in this matter?”
Sime drummed his fingers upon the table, frowning thoughtfully, and looking from one to the other of his companions under his lowered brows.
“With my own eyes,” he said, “I have seen something of this secret drama which has brought you, Dr. Cairn, to Egypt; and, up to a point, I agree with you regarding Antony Ferrara.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer It Came Out of Egypt — The Bats of Meydum (1923)

It became a woman, beautiful with a beauty that could only be described as awful.
She wore upon her brow the uraeus of ancient Egyptian royalty. Her sole garment was a robe of finest gauze. Like a cloud, like a vision, she floated into the light cast by the tripod.
A voice—a voice which seemed to come from a vast distance, from somewhere outside the mighty granite walls of that unholy place—spoke. The language was unknown to Sime, but the fierce hand grip upon his wrist grew fiercer.
Source: Wikisource

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